At the early age of 3, Dan Luvisi already got his passion for art, now working in the film, video game and comic book industry. Dan is known for his extremely versatile style in both illustration approach, as well as categories. Besides concept illustrations, Dan has become an expert in Character & Costume Design, Matte Paintings, Storyboards, Poster & Packaging Design and generally welcomes new challenges within his field. Find out more about Dan Luvisi and his incredible works at DanLuvisiArt.com All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi4 All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi All Rights to Dan Luvisi Links More info about Dan Luvisi: http://www.danluvisiart.com More on Dan via DeviantART: http://danluvisiart.deviantart.com Follow Dan on Twitter: https://twitter.com/danluvisiart
Since the beginning of Abduzeedo we have been featuring artists, designers, collectives and all sort of creativity manifestations. It's amazing to look back and see how things changed in these past 6 years. However one thing that hasn't changed is the inspiring chapters of Depthcore. Today we preset their latest one, Chapter XLV: Primal. The Depthcore Collective is thrilled to release it's 45th Chapter of work "Primal". Consisting of over sixty original works of art, photography and music the collective used this Chapter as a launching pad to explore concepts of nature, beast, instincts and primal origin. ABIOGENESIS by Nik Ainley AS IT FLOWS 1 by Theo Aartsma BM-DOUBLICIOUS by Bart van Leeuwen COR by Ari Wenkle CONQUEST by Finnian MacManus CLARITY by George Smith Whilst all of our artists rose admirably to the challenge, Ari Wenkle delivered an especially powerful collection of work, exploring various aspects of the core themes and bringing them to life with in boldly intricate executions. CIRRUS OS by Justin Maller DO YOU... by Diego L. Rodriguez INFESTATIO by Niklas Lundberg QUASIGOD by Dean Cook SAMSARA by Valentina Brostean VISIONARIES by Dean Cook For more information visit http://www.depthcore.com/chapter/primal/
The project started few months ago as fan art and slowley grow bigger and bigger to finally end up as series. First round of five of my fav tv shows and also - first round of prints! I've tried to approach the project as both fan and also what i would think was important from the show's perspetive - the essence. The Essence for me was closely related to music in these shows, a connection become the core of each idea. For more from Adam Spizak visit spizak.com, Behance, Twitter. Breaking Bad - Walter White Walter was my first choice as well as Breaking Bad being my No.1 show. Not many character go such a big way from where they started. Alexander's song: Truth usted in Ep1 of the 4th season is such a great score that works amazingly with the show and with Walter's journey. The Walking Dead - Rick Grimes You gotta love how dark Rick got in season 4, just to see him redeem himself by the end of it. Great character in what is one of the best shows on tv contradicting what people think when they think of zombies. Kari Meredyth Kimmel - Black fit great into The Road feel of the show. Mad Men - Don Draper Don is such a deep and complex character that i know people who watch this show just for him and it's hard to argue about that. I loved him from the first episodes when he drives away with the birthday cake. The beatniks scene with Don McLean - Waters of Babylon was what made the tone of the show for me and him as main character: How do you sleep at night? On a bed made of money. Californication - Hank Moody We just love to see Hank in trouble, but deep down we always hope we will fine and finally get back with Karen. The show was at its best around season 2-4. The natural selection for the track was The Rolling Stones - You can't always get what as it's constant backdrop to what i think is the essence of this show - man being lost. Dexter - Dexter Morgan Dexter came such a long way from his dark beginning to just darker place which i guess is hard for a serial killer. ;) Bu t we like Dexter becuase he tries hard to be best version of himself, sometimes dark sometimes comic. Daniel Licht - Hide Your Tears give a great score to make you care. The Prints We have all 5 prints for sale exclusive on Funkrush. Funkrush was established in 2007 by Pete Harrison (aeiko) as a clothing company that makes you smile! We want to make you feel like a million bucks.. Limited Discount Code For a limited time, use 'ABDUZEEDO' at checkout will get you 15% off anything in the store! To shop: http://www.funkrush.com Giveaway Funkrush has been kind enough to giveaway one entire set of the Popular TV Series posters by Adam Spizak on Funkrush. To participate is very simple, just leave a comment in the comment box below with a valid email so we can contact you. Links More info about Funkrush: http://www.funkrush.com More info about Pete Harrison: http://www.peteharrison.com More info about Adam Spizak: http://www.spizak.com
Landscape and environment illustrations have been by far my favorite subject when it comes to digital art or even traditional art. I simply love how digital artists are able to come up with illustrations with sometimes surreal, other times futuristic landscapes that are so creative and are able to make us imagine how it would be if one of those were real. I know, this might not make sense, but that's exactly how I feel when I look at the illustrations that Sebastian Wagner created and we're featuring on this post. Sebastian Wagner is a designer, illustrator and digital artist from Germany. You can find out more about his work at http://www.sebastianwagner-art.com/ crash site distance - environment sketch strange canyon environment sketch sea creature environment week7 environment week 6 desert - sci fi environment Caves Floating Islands upper city street scene green
Igor Morski is a Polish illustrator & graphic artist with quite a style. I love surreal style artwork and nn this post you will see some pieces from his Nature collection and also his portrait collection. His work is very detailed and very intriguing like most of surreal work, but his art looks so real it's almost like a magical photograph. For more from Igor Morski visit igor.morski.pl and behance.net/IgorMorski
Our friend João Oliveira has recently updated his website with some outstanding new work. From Art Direction to digital images, João shows how versatile he is, no matter the client. From Coca-Cola to Depthcore his work is always inspiring and deserves to be featured here on Abduzeedo. Coca-Cola Teamed up with Nuno Jerónimo and Tiago Canas Mendes from the “O Escritório” agency I’ve been responsible for the art direction and identity design of this campaign held by Coca-Cola Portugal and the Portuguese soccer team Benfica — Camarata Coca-Cola (Coca-Cola Dormitory). The idea behind this “feel-good” campaign was to turn the stadium luxury corporate box into a dormitory for fans. Boosters could apply at Coke website and win the chance to spend 24 hours in the dorm, spending the night in there and also watching a soccer match with the privileged view the location offers. Optimus Madrid Smooth King of Hearts Kult Magazine
Digital art allows us to experiment with all sorts of compositions. We have seen quite a lot of styles from surreal to sci-fi/light effects. There are some ideas, however, that are truly amazing. One in particular that has inspired us most is the Jan Matejko Battle of Grunwald - an impeccable example of how to reconstruct a painting from the Romantic era in 3D. Today's post shines a spotlight on this incredible project done by Platige Image. Jan Matejko Battle of Grunwald in 3D is a reconstruction of a painting done entirely in 3D. In order to do that the Platige image team created 67 unique characters, each rendered as three-dimensional models and put together to form a clear spatial composition. Original painting The Battle of Grunwald is a painting by Jan Matejko depicting the Battle of Grunwald and the victory of the allied Crown of the Kingdom of Poland and Grand Duchy of Lithuania over the Teutonic Order in 1410. The canvas dates to 1878 and is one of the most heroic representations of the history of Poland. It is displayed in the National Museum in Warsaw. Video Jan Matejko's "Battle of Grunwald" 3D (fragment) from Platige Image on Vimeo. Depth and perspective appear "within arm’s reach", inviting the viewer into the canvas to experience it from a new perspective. Process
Goverdose is a collaboration group between Polish artist, it started back in 2008 as a result of online collaboration between digital artists. Group has released only one e-zine in the past however our friendship and passion for creating has never died. This is their 4th chapter release and the theme is Trip. New Goverdose is online collective of digital designers with unique styles, techniques and desire to create new amazing projects. Goverdose is our way to forget about groove and everyday commercial work. We want to bring new amazing work and ideas with every theme pack as well as progress in our areas and have fun by doing it. www.goverdose.com www.facebook.com/goverdose TRIP "I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move." ~Robert Louis Stevenson Digital Art Collective from Poland. One Way Trip - Krzysztof Nowak Welcome To The Trip - Krzysztof Zdunkiewicz Trip - Łukasz Wrona Trip - Mateusz Kołek Nature - Mateusz Terczewski He - Przemek Nawrocki Poison Beats Wojciech - Magierski Trip - Paweł Rębisz The Trip - Omash One Trip - Krystian Ścigalski
Our friends over at Slashthree have released another exhibition, this time divided in seven chapters. The World Exhibition III features digital art, photography and illustrations from amazing artists like Liran Szeiman, Martin De Diego Sádaba, Tarin Yuangtrakul, Karim Fakhoury Gaétan Weltzer. Slashthree is proud to present the seventh and final chapter of World Exhibition III, as it comes to a successful close headlined by illustrators Liran Szeiman, Martin De Diego Sádaba, Tarin Yuangtrakul, Karim Fakhoury Gaétan Weltzer, and photographer Benny Brand. New additions Rachel Rusk and Remi Chevalier showcase their first submissions to Slashthree in this final installment. Over the course of five months, 50 pieces of art, photography and music were produced in this first ever exhibition format at S3. Be sure to view the exhibition as a whole if you missed one of the previous six installments. We hope everyone enjoyed the incremental updates and wonderful work created for WE III. For more information and to check out all images visit http://www.slashthree.com/exhibitions/19/ A Weird story around the fire by Francois Leroy Dead Flower by Wojciech Magierski Each Night Meeting by Liran Szeiman and Martin de Diego Sadaba Domakesaydie by Marco Casalvieri New Era by Karim Fakhoury The Keeper by Nicolas Monin-Baroille Tattoo by Man-Tsun Feel the Quiet River Rage by Samuel Pereira Sunset by Nichlas Boysen The Deaparture of Innocense by Adam Martinakis Pneuma by Marco Casalvieri Sleepers by Wojciech Magierski
Desktopography is a wallpaper exhibition that is released once a year. Curated by Pete Harrison and supported with visual artists from all over the globe, this year is no different. The exhibition is completely incredible and hope you will enjoy it too. Designers and developers spend about 90% of their waking life in front of a computer so the most appealing genre for a wallpaper would be one that has beautiful design mixed with the all important aspect of being outdoors. For more information about Desktopography and her wallpapers, you can visit their website at Destopography.net also like them on Facebook. Memorial by Heiko Klug Natural Freedom by Magyar László / Lacza The Morning Star by Adam Spizak Invasion by RDN Hidden Nature by Martin de Diego Sádaba Crimsonland - Trisme Last Rays by Bastien Grivet The Trespasser by Adam Spizak Hungry for Blood by Mart Biemans Raging Water by Marek Playground by Mike Harrison Back to the Beginning by Oliver Gareis Desktopography by Przemek Nawrocki Beta of Barsoom by Fresh for Death Desktopography'12 by Richard Roberts Zenith by Dean Falsify Cook Circles by Justin Maller L'effondrement dy ciel gris by Fatkur History repeats itself by Edit Animals by Bartosz Piotrowski Dock of Sound by Bự Blind Horse by Thomas Gayet Lifestream by James Zwadlo Gaia by Kode Logic Nightfall by Pete Harrison & Jordy Roelofs Kitsch Me If You Can By Falcon White
It's really awesome to know that some highly skilled person as Rafael Sarmento is actually from Brazil, more specifically from Santa Maria, Rio Grande do Sul. Working both in traditional and digital media, this artist is probably one of the greatest revelations of brazilian illustration.You can see more of this amazing art from Rafael at his DevianArt Gallery.
Power is an artwork by Samuel Carter Mensah, a graphic designer and typography specialist from London. This piece is inspired by Kanye West song Power and each letter was hand made to symbolize old withered gold from ancient civilizations. Enjoy. For more from Samuel Carter Mensah visit behance.net/smbstudios and somemustbelieve.tumblr.com “He who controls others may be powerful, but he who has mastered himself is mightier still” - Lao Tzu Artwork I did recently. I've wanted to do this piece for a long time, pretty much ever since i heard the song which i consider is probably Kanye's best purely because of it stands for. I tried to incorporate everything power stood for including the handmade font to symbolize old withered gold, and added some visuals from the video etc. and some ancient civilizations influence. "I've seen people use power abuse power misuse and then lose power". the reason why all civilizations eventually collapse, POWER. Visually i knew to represent Power was not an easy feat. What Power meant to a Pharaoh or an Aztec king. to really understand Power you must go back the dawns of civilization and see where it all came from in the earliest of cultures. So i began looking at old typefaces the first ever languages and noticed the forms and structures and how they in themselves symbolized power in their history and influence. What is Power? is it a million people bowing at your feet and your name being remembered forever? Or is it knowing yourself and what your own capabilities are and how to use them to your best ability? Inspiration Typography Process Background Process Final Piece
I remember when I decided to work on the creative business 5 years ago, one of my first references as master in their craft was definetely Jason Levesque a.k.a. Stuntkid. 5 years after I finally had the opportunity to interview one of my idols and, in my opinion, one of the best illustrators out there at this moment.You can see more of this stunning artist at his Official Website. 1) First of all I would like to thank you for doing this interview, it's an honor for us to present more about you to our readers. I would like to start asking you about when your interest for illustration and art?I've always been interested in art. I think that is likely true for everyone. We understand drawings long before we understand the written word. As children, we all draw. A 5 year old with a story to tell can illustrate a situation with more detail than that child can write it out. At some point a lot of kids stop drawing, either from disinterest or disappointment in how slowly the skill is developing. I wasn't great at drawing as a child, but i really enjoyed it. I was also lucky enough to grow up in a family that encouraged me not only with praise, but with encouragement to improve. 2) Which artists do you use for reference?I'm inspired by so many artists, a few off the top of my head... Ashley Wood, Joao Ruas. Erik Jones, Conrad Roset, Tom Bagshaw, and more classic artists like Ernst Haeckel. 3) Your style is quite influenced by comics and art nouveau. How did you develop this style and how would you describe it?I feel like i've gone through so many phases over the years. My interests and influences have drifted so wildly, i feel like it's difficult now to describe the path i took to get here. Influences like Akira, my earliest influence and later artists like Mucha and Klimt have remained with me. I don't know if i can describe my work now in stylistic terms. I'm sure someone else can, likely with ease. I'm too close, haha. 4) Describe us a bit about your creative process while creating a piece.It's not often i'll sit and think of what to draw. Usually the ideas come to me randomly or in bed as i'm falling asleep. I read a lot of science books and find a lot of inspiration in learning new things, biological and otherwise. Once I have an idea, i'll go through my thousands of reference photos i've shot and look for a good pose match. Sometimes i'll have to shoot something new. Referencing the photo i'll sketch out a rough composition on paper or, more often, in photoshop. With a little refinement i'll start coloring using the pen tool. Finished pieces usually take me somewhere between a few hours an a few days depending on the level of detail. 5)What's the best thing about working with illustration and what is the worst?I love doing commercial illustration. I make more money with less work when i do commission work. The constraints of the project often push me to learn new things, or draw subject matter i'm unfamiliar with. It can be a huge learning experience. Quite often the work will get lost in committee with too many voices making creative decisions. When that happens I find myself detaching from the work and setting my goals to just doing the best i can do in the amount of time given. Commercial work is simultaneously the best and worst part of illustrating. 6) How do you describe your daily routine?Art, art, art, eat, art, art, talk about art with wife, art, eat, sleep and dream about art. 7) Which is your favorite piece so far?Currently "Hecate" which also happens to be my newest piece, is my favorite. It felt like a stepping stone for me and i intend on doing more work like it. A limited edition print will be release early October through 1xRun. 8) Tell us five lessons you believe are really important for every illustrator.1.) You'll only get better by practice. It takes thousands of hours to hone a skill, drawing is no different. If you don't know what to draw, draw anything. Keep your pencil moving!2.) Embrace criticism. What people say to your face, they say more often behind your back. Recognize the difference between quality criticism and the venom of hateful people. If someone isn't suggesting an improvement, disregard their feedback. They are the background noise time will forget.3.) You'll never "arrive" creating art is a journey. You'll make slow progress, sometimes you'll make quick progress, you'll never "get there". Get over it. There will always be less deserving people ahead of you and more deserving people behind you.4.) Encourage other people, as you get better don't forget how painfully discouraging your early art years were. Keep your eye out for people who are still there and advise and encourage them whenever possible.5.) Try not to get so married to a process that you keep yourself from growing. Illustrators and fine artists need a recognizable product, but too many artists literally paint themselves into a corner and never progress. 9) Tell us some websites that you like to visit.To be honest, i'm on tumblr quite a bit. I follow most of my favorite artists there and have discovered many new artists through "tumbling". Instagram, of course, is growing in popularity and a lot of artists are now using it to post their works in progress. The now defunct CGunit.net was a daily visit for me for years. It still holds archives of amazing artists. Oh! And in their last days they did a countdown of their favortie artists and gave me the 6th position. I was hugely flattered. 10) Thanks again for your time, please leave a final message for the ones who are starting out on this kind of business.Bad situations are usually the best learning experiences and if you're lucky you'll have lots of them!
With a particular view and talent for detailment and completion, Ethan is one of the most singular comic artists to illustrate traditional super heroes like Superman, Flash and Batman. Nowadays, Ethan is a comic book artist for DC comicsYou can see more artworks from Ethan at his Comic Art Community profile.
Patrick Brown is a digital artist from Australia and his art is just simply incredible. If you're a gamer or a fan of popular series of film out there, Patrick will definitely give you a great load of inspiration. Here's a showcase of his latest work and it's totally badass!I have always been greatly inspired by many things, from games to movies and even TV series. If I like something I draw it. Most people call me a fan artist, but I like to think of it as giving me a reason to draw something so I can improve myself for better things. I love what I do, I always have.For more information about Patrick Brown, you can check out his DeviantART and give it a like on Facebook.All Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick BrownAll Rights to Patrick Brown
Hi everyone, hope you guys had fun with my last tutorial about a realistic PS3 controller. For today's tutorial we will follow the same idea and keep practicing our vector skills. We're going to create a classic Gibson Flying V guitar using a similar process of rendering using Illustrator.This is intermediary tutorial, so if you have any problems with some parts, don't worry. Try to redo that or come up with work arounds, it's the best way to learn how to use any tool. That's another reason that in order for you to make this study more useful I decided to leave some decisions up to you guys, you wil see it further, hope you have fun. SketchLet's open Adobe Illustrator and start by creating a new canvas (command + N / ctrl + N) with 24 x 55 cm, RGB, 300 dpi.Using the rectangle tool (M), create what will be the arm of the guitar. Use the direct selection tool (A) to ajust the lower vector points so they will get more wide open.Use again the rectangle tool (M) then use the selection tool (V) + alt to copy the same shape until you have 21 frets. There's no shortcut to adjust the distance between them, you will have to do it manually, just make their width vary as the fret board get's larger. Or you can use the Blend Tool for the same purpose.Using the ellipse tool (L) make a little circle and duplicate it 10 times. These will be the position markers, they are traditionaly placed as I did in the image bellow.Now using the pen tool (P), let's create what will be the V body shaped. Create first the left side, then using the selection tool (V) + alt duplicate it, right click over the new shape then go to Transform > Reflect and choose to rotate the Verticas axis.Use the rounded rectangle tool to create the strap pin, use the pen tool (P) to create the vertical shape, duplicate and mirror it.Here're the settings to create this rounded rectangle. Later you will duplicate this whole shape to make the other strap pin.Let's draw the humbucker pickups. It's quite simple, you just have to create it using this measures with the rounded rectangle tool.Now using the ellipse tool (L) and the pen tool (P) we will create the pattern for the screw we will use along the guitar. The trick here is to rotate the center shape so it won't look the same screw when you look at.You're going to just copy and paste them for now on. After you finished the first humbucker, you can duplicate and mirror it horizontally.Let's skip to the tail piece, using the pen tool (P) make this triangle, duplicate and mirror ir vertically.Add some screws on it and the strings hole using the ellipse tool (L).Now let's do the adjustable saddle, first make two ellipses, then a rounded rectangle, rotate it a little bit until it gets a bit in a diagonal angle.Add some screws.And using the rectangle tool (M) create the saddles hoels and the saddles. It's really important to make this saddle holes parallel to the rounded rectangle. Display the saddles like the image bellow.Now let's draw the jack output. First make the structure using the ellipse tool (L). Using the polygon tool create this hexagon then make two circles inside of it.Don't forget to add some more screws.Using the pen tool (P) let's draw the guitar shield.Now using the ellipse tool (L) let's make the knobs used for tone and volume. They may look like a bunch of circles, but this will make sense later.Finally, let's draw the pickup selector, first draw this couple of circles.Later, using the rounded retangle tool and the direct selection tool (A) you will create the selector.Don't forget to add the screws again.Now we have already created the lower part, let's go to the upper parts. Using the rectangle tool (M) make the nut above the neck of the guitar.Using the pen tool (P) make the headstock, first draw the right side, duplicate it and mirror it vertically.Using the rounded rectangle, make the tensor cover. Add some crews later.Using the rounded rectangle and the ellipse tool (L) you will create machine heads.You will notice that the pin on them gets thinner as their position gets higher, this is due to the fact I wanted to give some perspective to it.I added the Abdz logo, but you can add wherever you want to. Let's draw the tuner, you're going to use the rectangle tool (M), the rounded rectangle tool and the pen tool (P) for this, it may be harder than it looks like. Later just duplicate and place it as the image below.The strings are pretty much the easiest part, using the pen tool (P) make a line from the machine heads to the bridge holes as the sample below. ColorsSo, now that you have all the shapes you will need, you should use the Unite command (find it on the pathfinder panel) on all the mirrored pieces, this will be necessary for the next steps. Now we will procced to a step that I find very important for the organization of the image. Let's add the flat colors I used on each shape, this way you will adjust the layer other and won't miss any shape placement.I advise you to duplicate the sketch shapes and make a new layer for this step (command + L / ctrl + L). To add the colors of the color pallete, just use the selection tool (V) to select the shape then use the eyedropper tool (I) to get the color.Here're a couple of screengrabs that will help you a bit to figure the best colors to use: GradientsNow that you got all the colors we can skip to the gradient part. As you noticed, I created two color palletes: one for the flat color process and one for the style we want to give to our design.Let's star by apllying it on the top to the bootom of the instrument. The process will be always the same: use the selection tool (V) to select the shape, use the eyedroppper tool (I) to get the gradient color and use the gradient tool (G) to adjust the range. You already got the pallete, so you will just have to do it, not a big deal, don't you think?You're going to use two golden gradient for the machine head: one radial for the pin and a linear for the rest of the shapes.It's really important to apply this same gradient scheme on all screws, I know, this will take time, but great work only come with great efforts. It's basically a radial and a linear gradient, find them on the gradient pallete.The tuners also got two types of gradients, take a look on the scheme.On the gradient pallete you will find a relly intricated linear silver gradient, this one is for the strings.I added a radial gradient on the logo, on the tensor cover and on the head stock, they make look similar but have some slight differences.The nut and the frets have all the same linear gradient, just to get some volume on them.I also added a linear gradient on the position marker to make them look a bit shinning.The neck got a brown linear gradient to mek it look more like wood.Don't forget to add the same scheme on the screws, we don't want to create any Frankestein here.Use this linear golden gradient on the pickup cover, you will see that I got pretty addcited on it, because he's actually pretty good for almos t all metallic shapes.On the saddles, start always with the screws. later you're going to add the previous golden gradient on almost every shape, waht's going to vry it's how you posicionate the gradient, this is what gives depth to the image.On the bridge, start with the srews, than add again the golden gradient.On the jack output, make the screws first, than add the golden metallic gradient on the requested directions.I also used a radial grey gradient on the platform.On the shield, star with the screws.Them get the gradient selector, add a radial grey gradient on the selector and a the golen gradient on the rest of the circles.The volume and tone knobs and just a few radial and linear gradients as you can see below.Be careful with this shade of gradient, as you're going to have to adjust this parameter on the gradient panel lowering it's opacity to get this effect.You can add the same radial gradient used on the jack output platform on the guitar shield.I also added the same radial grey gradient used on the head stock into the body of the guitar. This will give it some volume.Finally, on the stripe pin, you're going to use a radial golden gradient and a linear golden gradient like the pics below. Conclusion Download the Adobe Illustrator FileDownload the Adobe Illustrator file used for this tutorial
Do You Remember When This World Was Ours? is a digital art project by Justin Mezzell where he creates a graphical narrative of the fiction worlds he imagined. Each movement is represented by an awesome image fro you to enjoy. For more from Justin Mezzell visit justinmezzell.com and behance.net/JustinMezzell Do You Remember When This World Was Ours? Living & Dying in the Afterword Do You Remember When This World Was Ours is a graphical narrative into fiction and the created worlds left vacant by the conclusion of the story. As the characters continue to live on in our memories, their bodies remain in a sort of stasis while the world begins to be reclaimed by the earth and ultimately into the void--forgotten. It is told in seven movements.