Browsing around Behance I bumped into Dmitry Ligay's work and loved it, his style is simply awesome! Dmitry, aka d-planshet is an graphic artist born is 1986 in Tashkent, Uzbekistan. He studied architecture and today works as an illustrator for Russian agencies and particulars clients. He works with illustration, drawing and painting. Dmitry's style is pretty unique and contemporary. At his artworks his mixes elements that we are used to see around with with an interesting point of view. The lines, colors and characters are really eye catching, really inspiring.
Experimentation is a vital part of design. A person gets an idea and starts planning to make that idea come true. Designers make a living out of it, and it's important to keep our work fresh. Here's a little something to inspire you. Dan Beckemeyer has done some amazing illustrations of food groups, and I find it a really awesome experiment. From coffee and doughnuts to bacon and eggs, he got it all covered, and these look delicious and fun. So, fore more of his work, you may visit his Behance folio! I hope you all enjoy these. Cheers. ;)
Futuristic illustrations of skyscraper cities and flying vehicles are very common, but what we don't get to see very often is what happens if mankind faces extinction. Tokyogenso, the artist behind these, came up with his vision of this future. These are somewhat peaceful. The lack of human presence puts things on perspective and makes you think: if without humans, nature prevails, we must be doing something wrong. Of course, I'm just thinking a lot over some illustrations (as usual). Anyways, I hope you enjoy these! Cheers. ;)
Cristiano Siqueira aka Cris Vector is one of the finest digital illustrators from Brazil, he has worked with clients from all over the globe, striking everyone with stunning illustrations. Here you can check out some of his latest work. Enjoy! For more visit crisvector.com
I am a huge admirer of comic book art work with being brought up around them from a young age. I am always on the look out from creative and inspirational work and the work being showcased is just that! Mitch (mbreitweiser) and his wife Elizabeth (dismang) both work side by side producing fantastic work. A little bit about Mitch & Elizabeth I've been drawing exclusively for Marvel since 2006. I've been really fortunate to be on some really great projects including, Ultimate Fantastic Four, Captain America: The Chosen, Sub Mariner 70th Anniversary Special (Which also featured the last work of the late Al Williamson (a personal hero of mine)), and a handful of other great cover and interior projects.My most recent book on the shelf was Captain America # 607 with Ed Brubaker and Butch Guice. I also have a four issue mini series coming out in September called "Captain America: Patriot." it's beautifully written by Karl Kessel, and will be the first full mini series colored by my wife, Bettie. Bettie has also been the colorist for the AWESOME Agents of Atlas series over artist, Gabriel Hardman. She'll also be following him onto his run on The Hulk this fall! Video Illustrations
I really enjoy to get surprised by an artist. Whether it's by an incredibly realistic render or an total psychedelic illustration, I just love to find something totally new to me. The work of Romanian artist Matei Apostolescu is like that: surprisingly good. Taking a good look at these I wonder if Matei took acid to make them. They are so colorful and almost nonsense in a certain way, but at the same time you just know what's going on in each and everyone of these. I loved it. How do you like it? Well, for more of his amazing work, you may visit his portfolio at DeviantART. I hope you enjoy these as much as I did! Cheers. ;)
Tiago Hoisel is a super talented illustrator from São Paulo, Brazil. You have probably seen some of his work in sites such as FFFFound, Design You Trust and of course on our Daily Inspiration. One that is pretty popular is the Davy Jones character illustration and he has so many more amazing pieces that we were really surprised that we haven't had featured him before. For more information about Tiago Hoisel, visit http://hoisel.zip.net/, it's fantastic and definitely worth to checking it out. I also would like to thank Marcelo Souza (@msouza3d) for the heads up about Tiago.
We often get to see awesome illustrations and 3D renders from many great artists. I find particularly cool realistic works, that if you see from a certain distance, you can't tell it's not real. So I've made a little research and found some awesome examples of realistic pieces which I find amazing! I hope you all enjoy these, and if you've seen any more examples, tell us! Also, I recommend you to visit each artist by clicking each image for more great works! Cheers. ;)
Sara Blake, also known as ZSO is an interactive art director, designer and illustrator living in New York City. She graduated from New York University's Gallatin School of Individualized Study with concentration in Graphic Art and Postmodern Studies-I. These days you can find her at Euro RSCG where she focuses on digital design. But by night she also doubles as an illustrator for clients such as Yen Magazine, The KDU, Hurley, SGCNY, and Koko & Me. She'll also be having her very first solo gallery show at Friends of Leon Gallery in Sydney, Australia, September 2010. Hello, I'm ZSO. (On paper you may also know me as Sara Blake.) I'm an Interactive Art Director, Designer, and Illustrator living and loving in New York City. ZSO (pronounced |z?|) is a collection of letters that I find aesthetically and phonetically beautiful. Together they make sound much like “so,” the adverb which means "to such a great extent.” I am a person of extremes, for better or worse (most often the latter), so the ring of it was fitting, and the moniker has since stuck for good. For more information about Sara Blake visit her website at http://www.hellozso.com/. As usual be prepared to spend hours on her website and blog because it's totally awesome! Some Works Flight Print SGC Decks Filthy Process Sample from Sara Blake on Vimeo. All Our Idols "All Our Idols" is an ongoing freestyle portrait project. All work is pencil, watercolor, and digital. Phil Knott's Tally Ho Iseult for Depthcore's "Mythic" Iseult for Depthcore's "Mythic" from Sara Blake on Vimeo. Design Collector 7 Wallpaper submission and Tshirt design for Russian design empire Design Collector to celebrate 7 years in the running. Artists were tasked to subtley incorporate the number 7 somewhere into the design. ZSO + Design Collector from Sara Blake on Vimeo. DACS DACS from Sara Blake on Vimeo. YOU ARE WE — KDU
Hey guys! For this tutorial/making of I created a fun illustration for my sister Stella's blog. In her blog she writes about funny daily situations and I thought that it would be nice to develop an illustration that expressed that somehow. I hope that this step by step help the new designers and illustrators. So, prepare yourself, and continue reading because even though it is a quite long post I hope it might be useful for your illustration projects. Also, feel free to share your thoughts with comments. Step 1 - Brainstorming ftw When I’m creating an illustration for someone, I like to make a brainstorm and write down stuff that person likes, to create a moodboard and capture her personality in the drawing. In my sisters case, for example, Italy, Trips and Pasta were mandatory in the illustration. In this step I also make preliminary roughs, testing new shapes and interesting compositions. Step 2 - Roughs, Sketches & Drawings After I pick the elements that will be part of the final illustration, and develop an initial graphic style, I start the rough that will be used as a direct reference for the vector. In this step I like to use a lot of details to simulate strokes and vector gradients. Lots of people ditch this part and go straight to the computer, but I personally prefer to create first in the paper. No only I feel more creative, it’s also a pretty good excuse to leave the computer for a change. Step 3 - Vector madness After I finish the rough, it’s time to scan it. (0r take a picture of it, if the paper it’s too big for your scanner). Then, I place the jpg file into a vectorial illustration software. My favorite software is illustrator, but feel free to use the one you like the most. Right now I only care about making the strokes and outlines, leaving the colors and filling for later. I recommend using a color that contrast with your sketch, to help you visualize it. In this case i chose a red stroke. Step 4 I like Illustrator because it offers you a ton of cool resources to help your vectorizing process. A solution that I often use is called Pattern Brush. Instead of drawing a whole flower, for example, you can make just one petal, turn that petal into a patten brush, create a shape with that outline, and achieve fun results! This tip is specially useful to illustrators that prefers abstract compositions, like me. Step 5 - Cleaning up the house After I finally finish the whole vector madness, I spend a little while organizing the file, putting the objects into the right order. All this to help the next step, that I consider to be the hardest part… Step 6 - Choosing Colors The moment to chose the colors and paint the illustration is the hardest and longest part to me. In this project I was inspired by the italy flag colors, mixed with the vibrant colors of the brazilian flag, all this with a vintage look and feel. In this step I also develop some gradients and chose the textures that I’ll use later. My tip is to take a look at the patterns from illustrator, hidden inside Swatches » Patterns » Basic Graphics. Step 7 - Color Groups & Inspiration A great site to search for color inspiration is colourlovers.com. There you can search between endless palettes developed by their creative users. After I chose my color palette, I find really usefull to create a new color group with the chosen tones. Step 8 - Almost there Sneak peek of the coloring process. Step 9 - Typography Choosing a font to use in the illustration is really fun! I love to test lots of combinations and to “hunt” for new fonts. The problem is that I get *too* excited in this step, and sometimes I download 30 fonts, and later I simply can’t decide which one to use. For this illustration I imagined a strong, bold and modern font, making a visual contrast with a script font. Step 10 When you are going to use the same shape over and over again, a good tip is to use the symbol tool. You make a motion clip, and spread the object in your comp, according to your preset. With the tool’s options you can increase or decrease the symbol, change it’s opacity, position, etc. This way you don’t have to duplicate and reposition the object manually. Step 11 - Blending Modes After I fill al my shapes with my chosen colors, I like to refine the composition with gradients and textures. Some illustrations look better with solid colors, but in this case I decided to use gradients to create more volume. One secret to a visually rich comp is to test different textures and blending modes. My fav ones are: multiply, overlay and softlight. I also like to play with different opacities. Step 12 - Photoshop After I finish the vector process, I export my work for a final polishing in Photoshop. At photoshop I mix the vector with bitmap images, to achieve a more organic feel. I also use the adjustment layers e test some colors adjustments, levels, curves, etc. And use brushes. Step 13 - Don’t be messy It’s common to make a lot of layers in Photoshop, and It’s really easy to lose yourself in the mess. Try to avoid that, and keep a file with the layers named in an appropriate manner and use organized layer groups. Step 14 - Brushes and Scribbles With the idea to create an organic look in mind, I blended the original vector illustrations with hand drawn scribbles, to create a hybrid composition. I also added brushes, colorful gradients, all in separated layers, preserving the original illustration. Conclusion And that’s it. Now It’s time to create the rest of the layout… But thats for another making of. Thanks for reading the whole post! If you want to read more nonsense from me, or for more cool tips and random links, feel free to follow me on twitter: www.twitter.com/carolrivello. About the Author I’m Carol Rivello, a graphic designer who loves to work with web design, art direction and illustration. Now I live in Florianópolis, a pretty island located in the south of Brazil, and just started to work as a freelancer. I love pigs, I have more than 300 of them. I also love: Internet, Music, Traveling, Movies, TV Shows, Illustration, Sketch Books, Motion Design, Home Decor, T-shirts, Pigs, Chocolate, Ice cream , Birds, Clouds, Sun, Sea and almost everything from the 80’s. For more information visit my site at http://www.carolrivello.com/
We sure love to share the work of unknown artists, put their name out there... but from time to time, we need to check out on the big fishes. There are some illustrators out there that are really amazing, and one of them is C.F. Payne. He's work is fantastic. C.F. Payne is an artist-illustrator whose artwork has graced the covers of Time Magazine, Readers Digest, Sports Illustrated, The New York Times Book Review and Sunday Magazine, MAD Magazine, der Spiegel, U.S. News and World Report, The Atlantic Monthly, Texas Monthly, Boys Life and more. He has been commissioned to paint countless politicians, authors and entertainers. He has illustrated ten children’s picture books, including The Remarkable Farkle McBride and Micawber, written by John Lithgow. For more of his great work, you may visit his portfolio. I hope you enjoy these! Cheers. ;)
Lyubomir Sergeev is a digital illustrator from Bulgaria, and his illustrations are amazing! The creativity and execution on each piece is very special making each portrait look so sharp and incredible. For more visit http://www.sergeevstudio.com and http://www.behance.net/LyubomirSergeev
Pablo Lobato is a graphic designer and illustrator from Buenos Aires, Argentina. Soon after finishing his studies, Pablo started working as a graphic designer for different magazines. This, however, only lasted five years, since total boredom drove him back to his first passion – illustrations. Today, Pablo has made quite a name for him self in Argentina where he lives and works. In Pablo's portfolio there are clients such as New Yorker, Rolling Stone, Time Magazine, LA Times Magazine, LA Magazine, The New Republic, Boston Globe, Texas Monthly, Cosmopolitan Germany, Chief Executive, Flare, AARP, Paste Magazine, New York Daily News. For more information about Pablo Lobato and to check out his full portfolio visit his website at http://lobaton.com.ar/. Be preared to spend at least one hour checking out his work because it's trully amazing Jay-Z 2Pac LL Cool J snoopg Bob Dylan White Stripes Bob Marley Michael Jackson Woody Alen rolling stones Oasis Obama Pearl Jam Men Who Stares at Goats Stevie Wonder Lou Reed Morgan Freeman Prince Nicholsong
José Luiz Benicio or simply Benicio, as he is well-known, is an Brazilian illustrator from Rio Pardo, Rio Grande do Sul. Benicio started his carreer when he was 16 at Clarin Publicidade, that was in 1953. After that he moved to Rio de Janeiro where he joined Maccann Erickon Publicidade working for big names such as Coca-cola. Benicio became really popular in the movies industry in which he design over 300 posters, especially in the 70's. Besides posters Benicio has a series of Pin-ups, pocket-books and other sorts of illustration projects. In his site you can take a better look at his work, even though it's in portugues I'm sure it won't be a problem because the images speak for themselves :) In this post we have selected a few of the Benicio's illustratins, for more information about him and the complete portfolio visit http://www.benicioilustrador.com.br/ Pin-ups Posters About the Author Fernando Falcão is a designer from São Paulo, Brasil. Fernando has been collecting Brazilian movie posters for a quite long time. You can find more information about him at his Personal Website.
The guys from Pixar did it again... Toy Story 3 is simply a master piece, even better than the prior ones I would say. The movie already starts with a short film - Day & Night - that take our breath away, but that is just the intro for a whole animated magic world. All the characters - the ones we already knew from the last movies - and the new ones, are great. Perfectly imagined and executed. And the history? Oh, awesome... if you watched the movie you know what I'm talking about. In case you didn't, go to the nearest theater right now. :) Whenever I watch something from Pixar I like to go online and research about it... browse around fan art, concept art and further details I can find about it. This time I found a very interesting site, heyuguys.co.uk, where they had the opportunity to go to San Francisco to meet the people involved in making Toy Story 3... and they got access to some really nice concept arts. So I gathered some of their concept arts and a few fan art to show here to you cause I believe that many of you also like Pixar and their animation world. Take your time... ;) By the way, I wish I had the talent to draw some of the toys from my old days... Concept Art via heyuguys.co.uk Fan Art via deviantART BunnyHeadFullForce cherlye DarkDorArt g0N3Morganna Singabee JereduLevenin kparrish33 Cepillo16 Toy Story 3 Trailer
Visiting Behance yesterday, I ran into some illustrations to really caught my attention because of the style used. These remind me of the illustrations of those really old newspapers, from the 1920's. The artist behind these is Mark Summers... and I'm really digging his art. I'm wondering if any of you guys know any other artists that feature different styles like these. For more of his works, you may visit his portfolio at Behance. I hope you all enjoy these! Cheers. ;)
French designer/illustrator Chloe Fleury, now based in San Francisco, California, creates wonderful things with paper that instantly caught my attention. I especially love her San Francisco posters which represent her favorite neighborhoods and what they mean to her. Makes me want to go back to SF sometime soon. What I really enjoy is creating little worlds, fantastical worlds. Envisioning them, building them, and eventually bringing them to life through stop motion animation. I think it’s magical. Check out more from Chloe at her portfolio site and let me know what you think via twitter!