This weekend I took 30 minutes of my time to watch Kung Fury. What a masterpiece! It's a true homage to the 80s actions movies full of the cliche styles that made that era the most creative and visually rich in my opinion. After watching the movie I had to go back and dust off my Photoshop skills to create something inspired by that. The movie is full of references and of course the computer glowing grid effect which happened to inspire this tutorial. So for this tutorial I will show you how to create an 80s style composition with the classic glowing grid. We will use Photoshop for most of the tutorial and a little bit of Illustrator for the vector part. Step 1 Let's start by creating the grid that we will use in Photoshop. The best way or the easiest at least, for me, is to use Illustrator and the Rectangular Grid Tool Options. Create a grid with 40 dividers for both horizontal and vertical. That's it, the next steps will be all in Photoshop. Step 2 In Photoshop, create a new document. I am using 2880x1800 for the size. Paste the grid in the document and then with layer styles change the color of the grid to white. Step 3 Go to Edit>Transform>Distort. Then just start distorting the grid till you get the effect you want. Step 4 I am pretty much using half of the screen, a little bit less actually. Below you can see my result. Step 5 Select the background layer and then go to Layer>Layer Style>Gradient Overlay. Change the colors for purple to blue and make sure that the Dither option is selected. Step 6 Select the grid layer and group it. Change the Blend Mode of the group to Color Dodge. After that duplicate the grid and first apply a Gaussian Blur (5px). Then for the same layer apply a Layer Style Outer Glow. Use 30px for the Size. As you can see you will have a nice glowing grid. Step 7 Duplicate the group and flip it vertically so you create the top part. Step 8 With the Ellipse Tool create an ellipse filling the center of the screen line the image below. Step 9 Go to FIlter>Blur>Gaussian Blur and apply a 60 pixels radius blur to the ellipse. Step 10 Add a new layer and fill it with black. After that with the Brush Tool create an oval brush and paint with white in the center of the document like the image below. Step 11 Change the Blend Mode of the layer with the white ellipse to Multiply. Step 12 Add a new layer and fill it with white. After that go to Filter>Noise>Add Noise. Use 8% for the Amount and Gaussian for the distribution. Step 13 Change the Blend Mode to Overlay.You can also add a new layer with a scanline pattern to create an even more retro effect. Conclusion Of course to finish the design we need to add our logo. This time we are using the beautiful SN Neo-Noire Font font by the mighty James White from Signal Noise. The font fits like a glove to this style and as you can see we are pretty much done here. You can create variations with or without the top part. I kind a prefer without it. It is up to you. Now take 30 minutes to watch Kung Fury and also get inspired to play and learn new techniques in Photoshop. Download the Photoshop File Download Photoshop file
As a fan of sci-fi and the space subject it is always awesome to see other designers sharing the same love. For this post I would like to feature the work created by Flavio Montiel using Cinema 4D and Photoshop. The project is titled Astro Metal Front and as you can see it's beautiful. For more information about Flavio Montiel check out http://www.flaviomontiel.com I’ve been kinda obsessed with sci-fi / space stuff latelly, and it’s been a while since i wanted to do some astronauts like portraits before i move on.
Indian designer M.A. Kather created a project about the differences in illustrator and Photoshop explained in minimalistic visual design. What's your favorite? For more from M.A. Kather visit behance.net/kather_bfa. What's your Favorite? Illustrator or Photohop?
The last tutorial I wrote was back in January, it's been quite a long time and boy I missed it. I have been trying to organize myself to start playing more with not only Photoshop and Illustrator but also Sketch and other tools so I can share some new things with you. It's always a challenge due to my day to day job but it makes me feel so good when I finish something that went from my head to the final design in a very short period of time. Quite refreshing. So this week I will share a tutorial on an image I created inspired by some similar artworks I saw on Pinterest, more precisely, the project call Linea by Marcos Bernardes.. The tools I used were Illustrator for the basic vectors and Photoshop for the final details and shadows. Referencens Step 1 Open Illustrator and create a new document. After that with the Line Segment Tool create 2 lines like the image below. The rectangle size is for a 2880x1800 resolution. Step 2 Select the Blend Tool and create a blend object by tapping on both segments. After that double click on the Blend Tool icon to open the Blend Options dialog box. Change the Spacing to Specified Distance and use 30 pixels for it. Step 3 With the Pen Tool (P) create the shape you want to pop from the lines. I am using the Abduzeedo symbol. Step 4 After creating the shape you want duplicate it 3 or 4 times to make the symbol spread to more lines, like outer stroke. Also you will have to create a shape with the color of the background to hide the lines that go under the symbol. Step 5 After that with the Pen Tool and the Direct Selection Tool make sure to connect the new lines with the ones that they should diverge from. Step 6 Select the points that the lines connect and then change the corner option. I am using 90 pixels for the roundness. Step 7 Change the colors to the ones you prefer. I am using a dark grey and teal color. I like the dark themes, this one heavily inspired by Google Material Design. Step 8 With the Polygonal Lasso Tool select the symbol and create a new layer from it (Layer>New>Layer from Copy). After that go Layer>Layer Style>Drop Shadow. Step 9 For the shadow options I used Multiply for the Blend Mode, 120º angle, 20 pixels Distance, 40 pixels Size and the most important, 25% Noise. The noise is really cool because it adds some nice texture to a rather uniform vector illustration. Step 10 Group the layer and then apply a mask to hide the areas selected below. That way the shadow will give the perception that the lines are going over or popping from the rest of the composition. Conclusion You can also add some vignette and more textures if you want. For me it's pretty much done. I could go over some details that still bother me a little bit like some of the lines in the middle of my symbol. But that is beyond my little thought/practice exercise. I hope that is useful for you and you can play with that on your own ideas. Download Photoshop file Click here to download the Photoshop file
We have been posting a lot about UI, UX and mobile design if you noticed, one of the reasons is because we believe that is a very important area of design and in particular, one that has a lot of opportunities. But as a lover of all sorts of design things today we bring an awesome digital art from Estilo3D titled Insects.The artwork is a mix of photo-manipulation, illustration and 3D. Based in Buenos Aires, ESTILO is an Award-Winning art production studio highly specialized in 3D-CGI, art direction and digital animation, founded in 2005 by Sebastian and Esteban, the Lapidus brothers. For more information check out http://www.estilo3d.com/
My favorite super hero is Batman and it's because he doesn't have any super powers besides super amount of money but the idea is much more realistic than other super heros. The Dark Knight trilogy was a great example of beautiful movies without super fantastic powers. Anyway, the reason I said that is because I want to share this really cool project by Adam Spizak titled Batman - Why Do We Fall. We featured Adam so many times here but it's always good to mention how awesome his work is and of course make sure you check out his website at http://www.spizak.com/ Is Bruce Wayne really Batman? Why Do We Fall takes the concept of ravage and the idea of being corrupted and consumed by vengeance.. Who is Bruce if not a figment of imagination,a fake mask Batman wears to hide in plain sight.Created using: ZBrush, Cinema4D, Photoshop.
Today we bring to you another great post about photo manipulation, it's a beautiful advertising piece created by Mladen Penev and Clemens Franke. The composition is mixes a woman's arm with flower petals and the other version with smoke. It's good to see a bit of the behind the scenes as well, like the way they took the photos, the make up and etc... For more information check out http://www.mladenpenev.net/ and https://www.behance.net/Clemens_Franke
Erik Johansson is a surreal photographer and retoucher from Sweden. He also happens to be one of our favorite digital artists due to his incredible creativity mixing photography to create beautiful and mind-boggling compositions. We have been following his work since the beginning of the blog, we have also featured him in the Abduzeedo book and since then every time we see new work from Erik, we simply must feature here on Abduzeedo. Below you can see some recent work that Erik shared on his Behance profile. For more information check out http://www.erikjohanssonphoto.com/
It's the first week of the new year and nothing better than to spend some time organizing and starting to improve our design library of assets and resources. To help you get started we feature some really cool desk objects mockups. Though despite being overused they are always useful and thanks to Graphic Burger you can download 38 isolated objects. For more information check out http://graphicburger.com/
This weekend I went to the movies to watch Interstellar in IMAX 70mm. This movie was for me the most anticipated one this year and I left the theater in awe. The movie is visually stunning and as expected from Nolan, a mind-bending experience in terms of storytelling. Still blown away, I decided to create an image in Photoshop inspired by my experience watching this incredible film. So in this little tutorial or case study, I will walk you through my process from Illustrator to Photoshop. I won't provide a lot of details because I think it's better for you to try and not follow instruction, but I think you can have a good idea of how the end result was achieved. Step 1 In Illustrator, create a new document and then with the Polygon Tool create a polygon with more than 8 sides. Step 2 With the Line Segment Tool start creating lines and connecting them to create the polygonal effect we want to achieve. Step 3 Once you finish the full sphere, delete some areas in the center like the image below. After that with the Ellipse Tool, create a circle for each intersection of lines. Step 4 I repated the same process for the Abduzeedo symbol. Step 5 In Photoshop, create a black circle in the center of the document. Step 6 Import the design you created in Illustrator to Photoshop. Step 7 To add stars in the background, an easy techinque is to create a new layer, fill it with black and then go to Filter>Noise>Add Noise. Use around 10% for the amount. Then go to Image>Adjustments>Levels. Adjust the black and the white leves until you have just a few white dots. Step 8 Add the text you would like to add to your design. I am using a quote from the Interstellar movie. Step 9 Using Google Image search I searched for a light leak image. Then with the Adjustments>Hue and Saturation I changed the colors to a cool, blue/purple palette. After that change the Blend Mode to Linear Dodge (add). That will make the image only visible over the dark areas of the composition and invisible over white. Conclusion The process behind this image is quite simple and it was something I used to do a lot in the beginning of the blog, just playing with Blend Modes and the space theme. With vectors and the white area the composition got simpler and more refined. It would work really well for a poster as well. Now it's up to you to come up with your own design, but first, got to the movies to watch Interstellar and get some inspiration.
I've recently written about Google's newly launched visual design language called Material Design. The goal of this new design is to create a visual language that synthesizes classic principles of good design with the innovation and possibility of technology and science. The idea is to create a UI that has the best of both worlds, digital and physical. Some of the imagery they presented in the spec share some common characteristics, like depth, paper style effects and vibrant colors. I decided to take a pass and try to create an image inspired by the Material Design styleguide. So in this tutorial I will show you how to create a simple composition in Photoshop inspired by the Material Design styleguide. The whole process will take over one hour or even more if you get into the details. Step 1 Open Photoshop and create a new document. I am using 2880x1800 pixels, the resolution of my Macbook Pro. Step 2 With the Rectangle Tool (U) create a rectangle and rotate it. For the colors I am using the Material Design color palette called Blue Grey (http://www.google.com/design/spec/style/color.html#color-ui-color-palet…). The colors I will use will come from the palette, the only different one will be the accent color. Step 3 Again with the Rectangle Tool (U) add another rectangle and rotate it again to create the outer part of the A. Step 3 Duplicate the rectangle from the previous step and move it a little bit to the right to create a second pane for the left part of the A. Step 4 Do the same for the right part, but this time use pink for the accent color. Step 5 Keep adding rectangles until you have the form you like. Remember to keep the idea of pieces of paper stacked. Step 6 For the textures I used to different techinques. The first one is by using images and clip masking. The other one is by using patterns and layer styles. For this step we will use clip masking. Search for paper textures you want to use and paste in the document. Step 7 Change the Blend Mode to Color Burn and move the order of the layers. Step 8 For the Layer Styles, I used Bevel and Emboss, Pattern Overlay and Drop Shadow. Use the values below to see how I did. The biggest change for the other layers will be the Drop Shadow values. Step 9 Here's the first sheet of paper with the effects. Step 10 Repeat the same process for the other sheets of paper. The main difference will be the drop shadow values. Conclusion After all these steps you will end up with something similar to the image below. It's important to play with some values for shadow, bevel and also blend modes depending on the colors you choose. The palette I chose is not super vibrant so it's a bit different than if I used a more vibrant and saturated tone. The shadows also make a huge difference. Some will have to be more subtle while one or two will be long and strong. Those details will create the depth you want for the composition. Now it's up to you. I will keep playing with mine trying to improve the realism of the shadows and edges of the paper. I hope you have fun creating your own version. I also would like to thank Shutterstock for some of the textures I used in this tutorial.
For this week's tutorial I will extend the Chrome Effect in Photoshop tutorial and add a super cool light effect simulation featuring a fan hole in a computer. We will use some images and Photoshop's layer styles for the whole tutorial. The process is quite straightforward but it is a little time consuming, roughly one hour to create your own image. Step 1 Open Photoshop and create a new document, as usual I am using 2880x1800 pixels for the dimensions so I can use it as a desktop wallpaper. Using the Paint Bucket Tool, fill the bakcground with #201E1E for the color. Step 2 Add a new layer and fill with with black. After that go to Filter>Noise>Add Noise. Use 15% for the Amount, Uniform for the Distribution and Monochromatic. This is pretty much the same process we did to create the plastic texture in our previous tutorials. Step 3 Duplicate the noise layer and then just flip it horizontally. After that group the 2 layers and apply a layer style for the group. Go to Layer>Layer Style>Gradient Overlay. Use Radial from mid grey to dark grey. Step 4 For the internal part of our speaker or computer search on Google Images for some videocards, they usually are super cool in terms of design. I also used an image with light effect I did a lont time ago for the Abduzeedo Book. You can use anything you want for the light effect. Merge both images and then go to Image>Image Adjustments>Hue/Saturation. Select Colorize with 40 for Hue, 50 for Saturation and -13 for Lightness. Step 5 Time to mask everything. For my design I used a vector I found online with the circles like a round phone speaker. Create a marquee selection of the shape and mask the internals. Step 6 This is what you will have after the masking. Step 7 With the shape you used to create the mask go to Layer>Layer Style>Blending Mode. Change the Fill Opacity to 0. Select Bevel & Emboss and then use the values below, after that select Contour and use 56% for the Range. In the end duplicate this layer and change the opacity to 10%. Step 8 Add a new layer on top of the other layers and fill it with black. With the Brush Tool (B) paint a circle with a dark grey like the image below. After that change the Blend Mode to Color Dodge. Step 9 Go to Layer>New Layer Style>Photo Filter. Use Warming Filter at 30% Density. Step 10 Select all layers and duplicate them. Merge the new layers and with the new layer selected go to Filter>Blur>Gaussian Blur. Use 15 pixels for the Radius. Change the Blend Mode to Screen at 70% Opacity. Conclusion Now to finish the design just add your logo with the same nice chrome effect we created in our previous tutorial, Chrome Effect in Photoshop and your design will be done. Now it's up to you to come up with your own. I hope you have fun. Download Photoshop File Download the Photoshop file used for this tutorial
Photo manipulation allows us to do everything we want and imagine, I think that's why I love that so much because there's no limit. Artists across the world have been pushing the limits, guys like Erik Johansson and many others. For this post we show a simple but yet inspiring artwork created by Kareem Hossam, a visual artist from Cairo, Egypt. For more information about Kareem check out his portfolio at https://www.behance.net/kimz Credits Idea: Hany Ibrahem Photographer: Ahmed Farouk Retoucher: Kareem Hossam
A couple of weeks back we featured an image for the wallpaper of the week that was the Abduzeedo symbol with a chrome effect. Quite a few people asked me how it was composed so this weekend I decided to write a simple tutorial on how to achieve a cool chrome effect using Photoshop. I am using the Photoshop CC but you can create a similar effect with pretty much any new version of Photoshop. So, in this tutorial I will show you how to create a chrome effect in Photoshop using just layer styles. The whole process is very simple but it might require some tweaking and a little bit of time. Step 1 In Photoshop create a new document. I am using 2880x1800 for the size so I can use it as a desktop wallpaper for my laptop. After that put the logo/symbol you want to apply the chrome style. Step 2 Add a new layer and fill with with black with the Paint Bucket Tool. After that go to Filter>Noise>Add Noise. Use 12.5% for the Amount, Gaussian and Monochromativ. Step 3 Duplicate the layer and for the one on top go to Edit>Transform>Flip Horizontal. After that change the Blend Mode to Screenat 40%. Step 4 Group the 2 layers with noise and then for the group apply a layer style. Select Gradient Overlay and use Radial with a light grey in the middle and black for the edges. Step 5 Select the symbol and then go to Layer>Layer Style>Blending Options. Use the settings like the images below. Note: The settings might vary depending on the type and size of you symbol, so play with the values until you find the best result. These are the best settings for the Abduzeedo symbol. Step 6 Here I added the logotype and apply similar chrome effect. Step 7 Select all layers and duplicate them. Merge all the new duplicated layers onto one layer and then go to Filter>Blur>Gaussian Blur. Use 15 for the amount. After that change the Blend Mode to Screen at 50% and go to Layer>Add Layer Mask. With the Brush Tool make only the symbol area visible so this layer will create a sort of glow effect. Conclusion Here is the final result. As you can see the last step add a nice shine and glow to the image making the chrome look more realistic. I mentioned before, but it's important to play with the settings because they might have different results depending on the form of your symbol. Now it's up to you, just have fun and start creating nice wallpapers as well. Download Photoshop file Download the Photoshop file used for this tutorial
There's no limit to our imagination and with the right tools and drive we can translate our most creative ideas into beautiful artwork. For this week's case study we feature a project titled 'Harmful Nature' from our friends over at Lightfarm Studios. We featured this image for the wallpaper of the week and on this post we've decided to give you a little sneak peek behind the scenes, enjoy. Harmful Nature is the new promo video from Lightfarm Studios. Conceptually the image brings a dark and tragic metaphor about the impossible love with the classic tale of the Diver and the Mermaid. Along one month we used the latest 3D technology in cloth simulation on this piece where everything was modelled, from the ship wreck to the corals. The model was shot in a diving pool for the best realistic results as possible to seamlessly blend photography and 3D. From the underwater shooting session to post production we blended all of our knowledge in 3D and post production into a piece that is as real as dark, always aiming at breaking our own limits as artists. Video Harmful Nature - Making of from Lightfarm Studios on Vimeo. For more information visit http://www.lightfarmbrasil.com/
As a designer sometimes it gets frustrating to come up with new pieces with the same old brushes all the time. For that we have some very generous designers sharing great Photoshop brushes for free! Kudos for these guys for sharing such great presets. Here you can see a nice selection of some super useful brushes. To download these freebies all you have to do is to click each image so that you can see the download link at Dribbble. Also, if you got your own design resources, we'd love to know! I hope you enjoy these. Cheers. ;) Element Photoshop Brush Set Winter-Pak High Res Fabric Textures Photoshop Brush Set Scratchy Free Grunge Brushes 25 Ink and Watercolor Photoshop Brushes No.3 50 Watercolor Photoshop Brushes Noise effects Spray Splatter Photoshop brushes Speckle Brushes made of Cocoa Subtle Brush Set 3 Brush set from Function Dirtbag HD
It's been quite some time since I've experimented with new ideas. Today, I decided to go through my personal library of inspiration, likes on Pinterest, etc and found some really good images from various artists, in particular the work of Sarah Mick. I am also still in love with the game Monument Valley, so this post also has much inspiration drawn from that visual language. Let's get to it. In this tutorial I will show you how to create a super simple wallpaper using Photoshop and Illustrator. The process is very straightforward but the result is quite good in my opinion. Step 1 Create a new document in Illustrator and then create 2 squares like the image below. The smallest one in black and the bigger one in medium grey. Step 2 With the Blend Options select both squares and them create a blend with 3 Specified Steps. Step 3 Add another rectangle for the background with a light grey, like the image below. Step 4 Copy the image from Illustrator and paste it in Photoshop. Step 5 Go to Filter>Blur Gallery>Tilt-Shift. Use 15 pixels for the Tilt-Shift and 0 distortion. Step 6 Let's add an image for the background. I am using a sky image in grey scale that I found on Google Images. After that I masked it to make sure it wasn't overlapping the triangles. Step 7 Go to Layer>New Adjustment Layer>Hue and Saturation. Use 195 for Hue and 43 for Saturation. Step 8 Now select all layers and then merge them into a new layer. After that go to Filter>Noise>Add Noise. Use 2% for the Amount and Gaussian for the Distribution. Conclusion Now just add your text and logo and you are good to go. It's a simple artwork but has some strong visual appeal because of the triangles and since I saw some posters on Behance and the game The Monument Valley I fell in love with this concept. Now it's up to you, just go and have some fun! Download Download the Photoshop file