I honestly have no words to describe the mind and the skills of this artist, the work he does on the street is totally insane, I mean he actually paints the street floor making it look like something unreal, you have to check for yourself.
The Master of street painting uses the street as a canvas. If one looks of the right point of view, its three-dimensional painting becomes the perfect illusion. "It gets thrilling when the observer runs into the picture." Edgar about the real intention of his work. He offers his audience a scenery, which challenges to proceed. The spectator turns into the protagonist and creative element of the scene offered him.
3D Pavement Art is one of several different designation for the new form of art and also known as 3D - " Street Painting", "Street Art", "Chalk Art" or "Sidewalk Art".
Ice Age in Ireland
Crevasse in Dun Laoghaire
In Dun Laoghaire the "Festival of World Culture" took place from 21. to 24. of August 2008. Edgar Müller has followed the invitation and continued his series of large-sized 3D Pavement Art is one of several different designation for the new form of art and also known as 3D Pavement Art. He turned a part of the eastern Pier into the Ice Age. This project was supported by the Goethe Institution Germany as the German contribution for the Art Festival
Lava Burst in Germany
On the occasion of the 30th anniversary (9.-10 August) of the international competition of street painters in Geldern (Germany) Edgar Mueller has painted a large sized, three-dimensional picture once more. He created a scenery appearing apocalyptic which invites the observer for proceeding in the picture.
Flash Flood in Canada
Giant 3D Pavement Art
The first of Edgar Müller's series of the large-sized street paintings was created in Moose Jaw (Canada-Saskatchewan) on the occasion of the Prairie Arts festival in summer 2007. "Turning Riverstreet into a River" is the biggest three-dimensional street painting ever done. 280 m² are covered with paint. With the help of local artists Edgar turned the street into a river which ended in an enormous waterfall.
Brief Biography of Edgar Müller
Edgar Müller was born in Mülheim/Ruhr on 10 July 1968. He grew up in the rural city of Straelen on the western edge of Germany. His fascination with painting began in his childhood, with paintings of rural scenes of Straelen. He went to the high school in the neighboring town of Geldern, where an international competition of street painters took place. Inspired by the transitory works of art which met him on his way to school, Edgar Müller decided to enter the competition. He took part for the first time at the age of 16, going on to win the competition, aged 19, with a copy of the famous "Jesus at Emmaus " (Caravaggio). In the years that followed, he entered many other international competitions. Since 1998 Edgar Müller has held the title of 'maestro madonnari' (master street painter), born by only a few artists worldwide. The title is awarded at the world’s largest street painting festival, called The Grazie Festival, which is held in the small pilgrim town of Grazie in Italy.
Around the age of 25, Müller decided to devote himself completely to street painting. He travelled all over Europe, making a living with his transitory art. He gave workshops at schools and was a co-organizer and committee member for various street painting festivals. Müller set up the first (and so far only) Internet board for street painters in Germany – a forum designed to promote solidarity between German street painters.
Edgar Müller opened a studio in the street. He presents people with the great works of old masters, drawing his perfect copies at the observers’ feet. Müller invites his audience to share his fascination with the old masters art, helping them to gain an in depth understanding of the old master’s view of the world.
Despite attending many courses with well-known artists and extensive studies in the field of communication design, Edgar is actually an autodidact. He is always looking for new forms through which to express himself. Inspired by three-dimensional illusion paintings (particularly by the works of Kurt Wenner and Julian Beever) he is now pursuing this new art form and creating his own style. Because of his grounding in traditional painting and modern communication, Müller uses a more simple and graphic language for his art. He paints over large areas of urban public life and gives them a new appearance, thereby challenging the perceptions of passers-by. The observer becomes a part of the new scenery offered. While going about their daily life, people change the painting's statement just by passing through the scene. Edgar Müller’s extraordinary art has been widely covered in print and digital media.
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