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Adobe teasing some new features about XD and Illustrator at OFFF Barcelona

Adobe teasing some new features about XD and Illustrator at OFFF Barcelona

First of all, would love to salute all our friends and partners at the on-going OFFF Barcelona that is happening from May 24-26. For the occasion, the kind of folks from Adobe were there and they took the opportunity to present a teaser of new features coming soon on XD and Illustrator. Make sure to check the videos below! In their words Adobe shared several sneak peeks of upcoming features to design tools XD and Illustrator CC at OFFF in Barcelona. Adobe XD: Overlays and Fixed Elements These new features are coming soon to Adobe XD. Overlays and Fixed Elements will add richer prototyping capabilities that allow you to prototype beyond artboard to artboard transitions. Illustrator CC: Diffusion gradients A new gradient feature is coming to Illustrator CC later this year. Traditional linear or radial gradients can limit your flexibility, while gradient meshes can have a steep learning curve. The new gradient feature lets you create rich blends of colors that seemingly diffuse naturally into each other. More Links Learn more about Adobe

Adobe is introducing their third visual trend of the year: Multilocalism

Adobe is introducing their third visual trend of the year: Multilocalism

The awesome folks from Adobe is introducing their third visual trend of the year: Multilocalism. What is it? Let's just say it's all about going back to your roots. Where are you from? Where are your parents come from? How about your grandparents? It's an origin of a multi-cultural question but mostly it's all about: Where do you feel yourself at home? I guess this is what is more important, let's take a look at this stunning and exclusive photo gallery that reflect Adobe's connections in a multi-local world. In Adobe's Words For designers and brands, the multilocal trend requires striking a delicate balance. Images need to embrace true, local moments without appropriating them, and to celebrate the local while elevating our shared global connections. Technology, travel, and migration are shrinking the world and strengthening our connections with each other. As we flow between cultural and geographic boundaries, more of us are embracing our complex global identities, deepening our awareness across cultures, and seeking authentic, local moments. For our third visual trend of the year, we’re exploring what it means to be multilocal in 2018 and considering how the newly imagined global village is shaping visual culture. And we’re looking at how stock photographers around the world are helping brands capture genuine, respectful local images that appeal to consumers’ deepening global consciousness.   Contributor Spotlight: Andy Smith Links Learn more about Adobe Blog Check out the dedicated gallery of Adobe Stock celebrating a multilocal world

The Fluid Self Photo Series by Ussi’n Yala exclusive on Adobe Stock

The Fluid Self Photo Series by Ussi’n Yala exclusive on Adobe Stock

The fine folks from Adobe Stock has shared an exclusive collection of gorgeous photos by Ussi’n Yala. He is a photographer originally from Gabon, Central Africa. What started as a simple hobby has now turned into a career. You just gotta appreciate his goal to challenge our perception of beauty and Adobe Stock is using their platform to bring more awareness and increase appreciation of African art and photography. A true stunning collection to share, check it out! In their words As a stock marketplace, it’s our duty and responsibility to provide the most relevant, contemporary, and high-quality images to the world’s creatives. Following British photographer Bex Day’s beautiful and authentic portrayals of the transgender community, we are proud to present Ussi’n Yala’s emotive portraits exploring gender and prejudice, exclusively for Adobe Stock. Ussi’n’s goal is to challenge the notion of beauty and break stereotypes with his images: “I hope to free people from the injustice and social barriers we face today. I want to produce a work that will have an impact on the way society works and the way we see the world.” In October of 2016, he exhibited the photo series “Pink Albino” at the African Art Fair in Paris. The portraits were created to address and shed the prejudices held against albinos in Africa. For his shoot on The Fluid Self, Ussi’n collaborated with two close friends, designers Clément Réthoré and Sandra Boutz. All three of them are based in France, but each faces a unique challenge of identity and acceptance due to their identity and sexuality: Ussi’n is black, Clément is gay, and Sandra is Jewish. “We each live in a constant state of discomfort in society and which is, in part, connected with who we are,” says Ussi’n, “and we wanted for this project to merge our peculiarities, while also telling the love story of two men.” More Links Learn more about Ussi’n Yala Check out the Adobe Blog Photography

Art Installation of Adobe's Summit Identity

Art Installation of Adobe's Summit Identity

Nothing is more inspiring for a designer to work on a project where the client just gives you full creative control. Well it's the privilege given from the team at Adobe when DBLG London when they took on the task to build a physical installation for Adobe's Digital Marketing conference in Las Vegas, Nevada. They built a bespoke installation which was 3x5 meters tall, with over 47 handcrafted pieces assembled together. It's amazing that the mighty folks from DBLG London shared their behind-the-scenes process so we can all get inspired and also admire how stunning is the final result. Adobe is the global leader in digital media and digital marketing solutions. In short, Adobe is everywhere, changing the world through digital experiences. More Links Learn more about DBLG at dblg.co.uk Follow DBLG's work on Behance Art Installation & Branding  

Adobe is introducing Motion Graphics for beginners and professionals

Adobe is introducing Motion Graphics for beginners and professionals

Our friends from Adobe has launched earlier this year: Motion Graphics templates for many of us designers who are using motion for post-production workflows or even creating micro-interactions. I love the fact that they provide a variety of files established for beginners all the way to the real professionals. Also one of the best features is the integration between After Effects and Premiere Pro. It prevents editors from having to alternate between the two applications during the post process. Each template can be dragged from the Essential Graphics panel’s “Browse” tab into a sequence in Premiere Pro. Premiere Pro also ships with dozens of Motion Graphics templates that users can select as the foundation for creating their own motion graphics. Image via Adobe In their words If you’re a video editor (and not a motion graphics designer), you can take simple edits to the next level by harnessing the amazing work of After Effects artists through Motion Graphics templates on Adobe Stock. Adobe introduced the Master Artists Collection on Adobe Stock – prebuilt templates sourced from acclaimed motion graphics designers, including Andrew Kramer, Valentina Vee and Nik Hill. You can leverage the power of After Effects without having to know how to write expressions, manage multiple pre-comps, or dig into text animators. Score! If you’re an After Effects master, you can collaborate with control by designating what can or cannot be edited within your Motion Graphics template. In other words, you can be a team player and save time when those inevitable, minor changes need to be made, such as fixing a typo on a lower third. Additionally, you can generate additional revenue by selling these new file types on Adobe Stock. If you’re a jack of all trades, you can edit your After Effects creations within Premiere Pro (no more switching back and forth!). To prove it, new research from Pfeiffer Consulting has found that productivity was on average 350% higher using these Motion Graphics templates! Motion Graphics templates are making it possible for editors to take advantage of the powerful, creative capabilities After Effects offers and presenting the essential elements directly inside Premiere Pro to customize the design directly, allowing editors to harness their own creativity to produce something truly unique and engaging on the screen. More Links To read more about Adobe After Effects new Motion Graphics templates Get started with a free library on Motion Graphics templates Via Adobe Blogs

Coca-Cola x Adobe Collaboration by Vasjen Katro

Coca-Cola x Adobe Collaboration by Vasjen Katro

It's always lovely to see one of your inspirational designers kicking with amazing projects one after another. It is the case with Vasjen Katro and his collaboration work with Coca-Cola x Adobe. Using Adobe Creative Cloud Tools, his task was to simply create awesomeness for the upcoming Tokyo 2020 Olympics inspired by Coca-Cola. The results are stunning and reminding what we mostly used to do 5-6 years ago. Hit it! Vasjen Katro a visual designer and creative director based in Tirana, Albania. We have featured his work before on ABDZ, it's always quite inspiring seeing his progress. Check out his work on Behance. More Links Learn more about Vasjen Katro at katro.me Follow Vasjen's work on Behance Follow Vasjen on Instagram    

Photoshop CC and Adobe Stock Tutorial: Creating a spooky Cinemagraph

Photoshop CC and Adobe Stock Tutorial: Creating a spooky Cinemagraph

It's not usually our day to share a tutorial but why not. Thanks for our friends from Photoshop CC and Adobe Stock, we are sharing this cool tutorial about making a cinemagraph using those very same tools. Staying in the theme of Halloween since it's still a novelty, also the tutorial is by Chris Converse from Codify Design Studio. Let's take a look! In Chris's words A cinemagraph captures the “moment in time” of a photograph, while incorporating the “cinematic effects” of motion. This combination gives us the experience of animation without the need to interpret a linear story. This means we have many more options for creating a cinemagraph experience. In this article, we’ll explore a workflow for creating a cinemagraph by compositing video, illustrations and photos with Adobe Photoshop. Your browser does not support the video tag. Start with an Illustration from Adobe Stock In searching Adobe Stock, I found this illustration of a spooky tree. I liked the black and white composition, and decided I’d like to keep that essence while replacing the background with moving clouds and fog. The first thing I needed to do was mask out the background. I created a new layer and began by painting over the branches of the tree with a bright color. I’ll admit, this was a bit tedious, even with a few selection tricks; but the fine detail really helped the final result. Next, I loaded the pixels of the new layer as a selection. A short cut for this technique is to hold the Command key (Mac), or the Control key (Windows), and click the layer thumbnail icon. Then, select the original tree layer, and add a new layer mask. The result is the branches of the tree appear in white on the layer mask, and the remaining appears in black. The result is a silhouette of the tree against a transparent background. Then, I simply added a new layer, moved it to the bottom, and filled the layer with a gradient from dark grey to black. Adding the moon Next, I searched Adobe Stock for a full moon. Once I found one I liked, I added the file to my composition as a linked Smart Object. In order to apply a mask, I editing the new Smart Object, added a circular layer mask With the moon masked, add a 165 pixel white outer glow, with a spread of 6 and a blend mode of screen. This will create the effect of the moon glowing through dense clouds. Working with video in Photoshop Next, I downloaded two videos from Adobe Stock that we created to apply special effects for photos and video. I designed and animated these black and white videos to help you simulate cinematic effects for a cinemagraph, video, and motion graphic project. In the Photoshop file, open the Timeline panel and create a video timeline. Import a video into a layer by choosing File > Place Linked, then selecting the clouds.mp4 file.  Note: If you use the “add media track” option ( the + button) in the Timeline panel, Photoshop will group the video into a video group. To remove the group, select it, and choose Layer > Ungroup Position the clouds behind the tree and set the blend mode to screen. This will drop out the black areas of the video, and allow the moon to show through. Apply a layer mask and fade the right and left sides to be fully transparent. This will make the clouds appear to be lit by the mood.  Next, import the fog video, convert to a Smart Object, then position it behind the tree. Duplicate the fog video Smart Object, and position the copy above the tree. This will create some depth within the fog. Add a layer mask to both fog video layers. On the further back fog layer, set the opacity to 30% and mask the right and left edges to be transparent. This will create the same effect for the fog that we set for the clouds. Finally, mask the right and left edges even further than the back layer, giving the illusion that this fog is even closer. Render The fastest growing file format for a cinemagraph is video, specifically an mp4. This file format allows for many more frames than an animated GIF, and results in a much smaller, single file. While CSS- and JavaScript-based cinemagraphs can be even smaller and randomized, they do require more files, and are a subject for another article. To render a video from Photoshop, select Render Video from the File > Export menu. More Links Adobe Stock Resources: Background and Moon Learn more about Chris Converse at chrisconverse.com Via Adobe Blogs

Adobe Stock: Integration with Google Slides and more

Adobe Stock: Integration with Google Slides and more

Our friends over Adobe is having a busy week with a couple of cool announcements that includes a new add-on that will let you do more within your Google Docs, Sheets and Slides. Announcing their integration with Google Slides to allow users to easily create, edit and collaborate meanwhile using their inventory of images at your disposal. You'll be also able to search for images, explore curated galleries, perform a visual search and more. On the other hand, Adobe Stock is introducing a new member to their team that will be acting as the first director of editorial content. Let's take a closer look. In their words Image via Adobe New Features • Search: Perform a keyword search or browse curated collections available directly inside the add-on panel. You can even use Visual Search powered by Adobe Sensei to find high-quality, royalty-free results that match the color, tone and composition of your uploaded sample -- all you need to do is drag and drop an image onto the search bar!  • Templates: Make your work that much better and your life that much easier with the many template options (pitches, portfolios and other pre-made presentations) available.  • Preview and License: Easily insert a preview image into your layout to test different options as you work and collaborate on your presentations. Working with Google to develop a stock service add-on for Google Slides has been an important step in ensuring that customers are enabled with the best tools for their presentation needs,” said Vikram Viswanathan, Director of Strategy & Product Partnerships for Adobe Stock. “Users are able to work and collaborate through the Google Slides experience while leveraging high-quality, royalty-free images from Adobe Stock with the confidence that the images come with the appropriate licenses for their business. Image via Adobe Santiago Lyon has joined Adobe Stock As the first director of editorial content. In this newly created role, Santiago will lead Adobe Stock’s editorial content strategy and collection, working with world-class photojournalists, documentary photographers, editorial providers and media. Santiago brings more than 30 years of experience as an industry executive and award-winning photojournalist – including two World Press Photo prizes on conflict and the Bayeux prize for war photography. Under his direction, the AP earned three of its 31 Pulitzer Prizes for photography, for work in Iraq, the West Bank and Syria. Santiago’s passion and perspective reflects a lifetime of taking on new challenges with journalistic integrity – a passion that will continue to propel Adobe’s commitment to delivering the most compelling and newsworthy visuals to creatives worldwide. More Links Install the free add-on, please visit the Chrome Web Store To read more about Santiago Lyon Via Adobe Blogs

Introducing Adobe Creative Resident Jessica Bellamy

Introducing Adobe Creative Resident Jessica Bellamy

  Today marks the celebration of Jessica Bellamy, our fifth Adobe Creative Residency talent hailing from the lovely Louisville, Kentucky. Bellamy specializes in infographic design by telling visual and personalized stories using data with a focus on driving social change. As a former PR professional myself, I personally appreciate this vertical within design as infographics are something I have heavily relied on to catch media's attention with a story idea. Bellamy has a strong (and might we add altruistic) belief that good work deserves good design predominantly partnering with nonprofits and community groups to help create compelling materials that break down complex customer, service and policy information. During her year long residency thanks to Adobe,  Bellamy will be pursuing new approaches in her creative process and execution of her designs as well as encouraging the creative community to support and promote working with nonprofits. Peek our favorite visuals from Jessica Bellamy's portfolio below and be sure to check out what it takes to join Adobe's Creative Residency for 2018 here.    As an Adobe Creative Resident, Jessica’s overall goal is to change the face of Communication Design. She’ll be tackling new approaches to her creative process, execution, and evaluation in order to develop a new method to provoke a cultural shift.           MORE ABOUT ADOBE CREATIVE RESIDENT JESSICA BELLAMY Jessica Bellamy graduated Summa Cum Laude from the University of Louisville (UofL) with degrees in Drawing (BFA), Graphic Design (BFA), Pan African Studies (BA), and a minor in Communication. As a former Neurodevelopmental Science research analyst at UofL and activist in Kentucky, Jessica created a business that combines grassroots community organizing, research, and information graphics. That business was GRIDS: The Grassroots Information Design Studio.

Introducing Adobe Creative Resident Chelsea Burton

Introducing Adobe Creative Resident Chelsea Burton

We hope you're getting familiar with the Adobe Creative Residency program at this point, an amazing endeavor brought to us by the dreamers at Adobe who are generously empowering talented individuals to spend a year focusing on a passion project, while sharing their experiences and processes with the creative community. Today, we're excited to mark day four with the inspiring work of Chelsea Burton, a graphic designer and illustrator hailing from Erie, Pennsylvania with a passion for street art, skate board-smithing & longboard deck designing who develops her own line of boards showcasing original artwork.  “I plan to approach topics that most strongly reside within me, including the public perception of female strength, individuality, sustainability, product quality, and—always—functional and accessible art application,” says Burton. Chelsea will spend her Residency year creating and launching a new line of longboards as a follow-up to her university senior show and serving as a grander launching pad for a lifelong entrepreneurial goal. She will design and create both the wood decks and vinyl graphics with messages to inspire others to find the purpose and meaning of creativity in everyday activities. Chelsea has a strong belief that her products aren’t necessarily part of a traditional craft, but they have the potential to broaden public awareness about the possibilities of intentional and functional art application.   MORE ABOUT WHAT INSPIRES ADOBE CREATIVE RESIDENT CHELSEA BURTON A lifelong pledge in opposition to the clean-cut framework that is housed in expensive taste, my artwork has always found it’s calling in the nitty-gritty, bump and grind freedom of the streets. A sketchbook has continuously been only a beginning—a basic map from which my work is pulled off the page and pushed to the limit of reality. There is a desire to have my work to be revisited and to be used; I want it to go beyond white walls, creep into every crack, and breathe in every city bustling with life.

Aundre Larrow

Introducing Adobe Creative Resident Aundre Larrow

It's day three of featuring the six lucky Adobe Creative Residents of 2017 on the blog and today we're pumped to showcase the moving work of photographer Aundre Larrow. In his own words, Aundre is a Brooklyn-based creative focused on community building, photography and strategy with some other stuff sprinkled in. For the Adobe Creative Residency program, Aundre will spend his year working on a series of projects that explore the diverse range of people across the United States and their daily lives, challenges and perspectives. His main project is a snapshot of America through the eyes of its residents, and his challenge will be to learn how to create impactful visual imagery to fully tell the story of the people and places he visits. Aundre will be capturing photographs, making video content for the first time, and sharing his process  as he learns how to work in this new medium. His goal for the Residency is to make longer-form storytelling about unheard and less represented voices his primary work. Enjoy some of our favorite snapshots from Aundre's work for the Residency below and view more of Aundre's beautiful work at this special site.  MORE ABOUT AUNDRE LARROW AND HIS ADOBE CREATIVE RESIDENCY PROJECT Thanks to the Adobe Creative Residency, I've had the pleasure to travel across this nation and learn about the micro-stories that build into what makes a person and validates our experience. My goal at the conclusion of this project is to have a library of immersive portraits that challenge the cycle of giving exclusive visibility (seeing and listening) to those we've already deemed worthy.

Introducing Adobe Creative Resident Rosa Kammermeier

Introducing Adobe Creative Resident Rosa Kammermeier

We're excited to share our next Adobe Creative Resident of 2017, the talented Rosa Kammermeier. We posted about the overarching Adobe Creative Residency Program yesterday in case you need to catch up on the phenomenal endeavor by Adobe to support the creative class in pursuing dream projects. How amazing would it be to focus ONE WHOLE YEAR on a passion project and have it creatively and financially supported by Adobe? Not to mention, each resident is paired with an amazing mentor. In Rosa's case, it's the uber accomplished Berlin-based lettering designer & author Martina Flor.  Enter the heartwarming work of Rosa Kammermeier. Rosa is a graphic designer and lettering artist from Munich, Germany. Her "heart" project for the residency is the WALK OF HAPPINESS in which she’ll be hand lettering slogans of positivity and happiness on shop windows creating a city treasure hunt. Her messages will be linked and made accessible on a city map and on a website creating an artistic tour of sorts for all to enjoy and discover. Rosa hopes to capture the attention of people in their daily, consumer-oriented lives and make them stop, smile and think while discovering new aspects and areas of their city. She wants to challenge herself to improve her own skills while thinking and driving impact on a bigger scale.       OTHER WORKS WE LOVE BY ROSA  About Adobe Creative Resident Rosa Kammermeier Rosa Kammermeier is a graphic designer and lettering artist from Munich, Germany. Her project for the residency is the Walk of Happiness, in which she’ll be lettering messages of positivity on retail windows to create a city treasure hunt. Her messages will be linked and made accessible on a city map and on a website. Rosa hopes to capture the attention of people in their daily, consumer-oriented lives and make them stop, smile and think while discovering new aspects and areas of their city. She wants to challenge herself to improve her own skills while thinking and driving impact on a bigger scale.

The Adobe Creative Residency Program: Photographer Julia Nimke

Introducing The Adobe Creative Residency Program: Photographer Julia Nimke

We were so delighted to discover Adobe's latest foray into supporting the creative class with the introduction of The Adobe Creative Residency program. The main objective behind this amazing program is to foster creativity while empowering artists. With generous support from the team at Adobe, talented individuals are given the opportunity to spend a year focusing on a personal creative project, while sharing their experience and process with the creative community. Adobe Creative Residents receive access to the best creative tools and resources, along with guidance from notable advisors and a compensation package. In return, each resident proactively pursues a personal creative project, while sharing their process, insights and inspiration with the community along the way. The 2017 residents are comprised of a group of uniquely talented designers and photographers who are eager to share their creativity with others. In support of this inspiring program from our friends at Adobe we'll be featuring one resident from the 2017 class and their individual works each day starting today over the course of the next week. To kick things off, we're excited to highlight the work of Berlin-based, German photographer Julia Nimke. Peek Julia's ethereal photographs below of places and cultures throughout Europe inspired by folk tales. Everyone has a dream project. So often, those are the ones we can never dedicate the time and resources to. That’s why we created the Adobe Creative Residency. The mission is simple: to support the creative community and cultivate a culture of creating and sharing.     Learn About Adobe Creative Resident Julia Nimke Julia Nimke is a Berlin-based, German photographer who’s passionate about nature, traveling and unique types of cultural storytelling. For her residency year, she plans to explore and document places and cultures in Europe tied to folk tales. She will try out different photography styles throughout the year and share what she learns with the community. Julia will challenge herself to combine video and photos to create compelling and visual stories. Her goal is to have her work inspire people to stay curious and open-minded when they experience unknown places and different cultures. If you've been inspired to learn more, the team at Adobe is accepting applications for the upcoming program year in January 2018. Click this link for everything you need to know to be considered. 

Adobe Take 10 Challenge: Imagination with Günther Gheeraert

Adobe Take 10 Challenge: Imagination with Günther Gheeraert

We have featured an Adobe Take 10 Challenge before on ABDZ, it was in collaboration with Joshua Davis. With great success, our friends over Adobe is making this happen with another Take 10 Challenge. Themed “Imagination,” participants will have to create an original artwork from a custom audio track and 10 Adobe Stock videos. Here is more about the breakdown. In their words Create an original artwork from a custom audio track and 10 Adobe Stock videos, and you may win subscriptions to Creative Cloud and Adobe Stock, and an Oculus Rift and Dell Alienware 13 laptop! Filmmaker Günther Gheeraert will judge the contest submissions and reveal the winners on or about September 29, 2017. Image via Adobe About the Judge Günther Gheeraert is a film director, photographer and World Traveller based in Paris, France. You should definitely check out his Behance for more of his work. Also you should view his own take on the Take 10 Challenge Take 10 Challenge Download the 10 videos and custom audio file and use all of them (and no other videos or photos). Share the final artwork on Instagram or Twitter by 11:59 PM PT on September 24, 2017. Your post must include #TakeTen_Imagination, #Contest, and @AdobeStock. Review the full rules and conditions. Prizes Gheeraert will choose nine finalists, each of whom will receive:  • a one-year subscription to the Adobe Creative Cloud and 10 Adobe Stock HD video credits. (That's worth US$1,400!)  • The grand-prize winner will receive an incredible package worth more than $3,000: a year’s subscription to the Creative Cloud, 15 Adobe Stock HD video credits, an Oculus Rift + Touch Virtual Reality System, and a Dell Alienware 13 laptop. More Links Learn about the Take 10 Challenge: Imagination Reveal nine finalists and the grand-prize winner on or about September 29, 2017.

Adobe Stock: Stepping into the Third Dimension

Adobe Stock: Stepping into the Third Dimension

Each month, our friends over Adobe Stock will explore through their photo database what creators have been up to making. For this month's theme, they are looking into 3D with a number of artists. From architectural renders and automobile design, to furniture ads and abstract art. 3D is all around us, and new creative tools are opening up 3D technology to any designer who wants to give it a try. In Adobe's Words This month we’re thinking about artists who go that extra dimension. 3D is on our minds for two big reasons: new creative tools are opening up 3D technology to any designer who wants to give it a try, and more and more 2D designers and brands are embracing what 3D can do now and in the not-too-distant future. According to Chantel Benson, Adobe product manager and 3D-industry veteran, using 3D has a lot of benefits. Beyond saving a car company from expensive, complicated on-location photo shoots, 3D opens up future possibilities. Take Ikea: “They’re jumping into this trend because working with 3D models gives them the ability to use content for more than just static marketing collateral like 2D websites — the same chair, cup, or window treatment can be used for immersive shopping experiences, too.” So who else is making the jump into 3D design? Some of the earliest adopters include graphic designers working on branding, using 3D tools to visualize the look of a logo or package design on the actual bottle or box. Designers are also embracing the tools to develop infographics. And digital artists are exploring the creative side of 3D design. Visual Designer Michael Dolan has experimented with 3D art for art’s sake as well as client work. “It’s always fun to step away from work and just create. I’ll see something inspiring and say, ‘I think I’ll create that, too,’” says Michael. “I also use 3D for commercial projects. It’s useful for phone and device mockups on tables. I’ll purchase images and pop in app UIs. You can snap a picture of a table and then throw a device down.” Others artists can share its insights including:Ingrid Tsy, a freelance artist, started exploring 3D by way of her first love: fashion. Ryogo Tovoda finds inspiration from Nintendo designs and brings those to life in a three-dimensional toy town world. Daniel Mangiuca creates sci-fi-influenced renderings and first took advantage of the 3D modeling and software boom to produce amazing art. Links Learn more about Project Felix Adobe Stock Dedicated Gallery of 3D Images Via Adobe Blogs

Adobe and Hootsuite announcing a partnership & integration to Adobe Stock

Adobe and Hootsuite announcing a partnership & integration to Adobe Stock

Our friends at Adobe are announcing a partnership & integration to Adobe Stock with Hootsuite. Efficiency is part of what is driving our workflow in the present day and this new integration can certainly help accomplish goodness. Hootsuite customers will be able to edit and optimize images for social using Adobe Creative SDK, as well as discover and license content from the Adobe Stock library of over 90 million high-quality assets. This integration with Adobe Creative Cloud allows users to search and license assets inside Hootsuite without interrupting the workflow. For those you don't know what is Hootsuite? It's the most widely used social media management platform, used by over 15 million people around the globe and trusted by more than 800 of the Fortune 1000. In their words Integrating Adobe Stock into Hootsuite’s platform will provide marketers with the ability to easily extend the reach of their content into social media. High quality and authentic imagery is critical for engaging and communicating with customers, and this partnership will enable brands to be more visually impactful with their digital and content marketing initiatives,” said Claude Alexandre,​ ​Vice President of Adobe Stock. Leading brands rely on creative content as the fuel that drives audience engagement and business growth. Despite that focus, Altimeter notes that 70% of marketers still lack an integrated strategy, and struggle to consistently deliver high-quality content as demand increases. The integration between Hootsuite and Adobe helps to alleviate this problem by providing marketing and creative teams with the ability to quickly and easily develop the content that powers their marketing initiatives.   Modern marketers create more content on a daily basis now than ever before. Hootsuite’s integrations with Adobe give marketers the ability to create and distribute high quality content faster,” said Matt Switzer, SVP of Strategy and Corporate Development at Hootsuite. “Adobe leads the creative market, and we are thrilled to work together to offer our customers capabilities that will enable them to get more value from their content.” More Links To learn more: hootsuite.com/pages/adobe

How to Create a Composite Dreamscape using two photos in Photoshop

How to Create a Composite Dreamscape using two photos in Photoshop

It's Friday and we would like to share this fun tutorial from Adobe in collaboration with photographer named Jaxson Pohlman. It's about creating a composite dreamscape using two photos in Photoshop. As most of us like photography, it's always nice to add some spark to your pictures with a simple technique. Let's take a closer look. Our friends from Adobe has released an easy step-by-step tutorial by fine art photographer Jaxson Pohlman. You can follow the steps from the Photoshop's Instagram post and we have stepped them out below in the article as well. In their words Hey guys! It's @jaxsonpohlmanphotography here. I'm going to show you how to create a composite dreamscape using two photos in just a few steps. Swipe through to see my mini #Ps_Swipe tutorial! • Using sunrise or sunset photos will add some spark to your final creation. Begin by opening the foreground photo in #Photoshop. We are going to mask a portion of the background out to create a smooth transition between the horizon and stars. • Use the Rectangular Marquee tool (M) and click and drag across the photo. Make sure to select in between the horizon and the top border of the photo. Go to Select -> hold the "Shift" key and click “Select and Mask.” Adjust the edge by dragging the "Feather" option to approximately 200px, then click ok. • Next, use the Move tool (V), click and drag the selection over to your star photo (background). Make sure the foreground layer is above the star layer. Use the Crop tool (C) to extend visibility. Using the Move tool, drag your foreground layer down to the bottom of the cropped area. • Duplicate the foreground layer by going to Layer -> and click "Duplicate Layer.” Label it as "no. 2" and click Ok. Select the original foreground layer. Go to Edit -> "Free Transform" and increase the vertical size. Double click to confirm, and then drag the photo down so that is transitions smoothly into the stars. • Using the Brush tool (B), we are going to add a bright star to make the transition between the horizon and sky feel a bit more real. Click the Brush Preset picker and adjust to 25px with a hardness of 50%. Change the mode the "Lighten" and have an 85% opacity and flow. Select the duplicate layer "no. 2" and apply the brush where the horizon fades into the stars. • After applying the brush to create a star, we are going to apply a second brush to give a glow to the star. Adjust your brush settings to 175px, 0% hardness, 50% opacity, and 25% flow. Apply this brush over the star just created. • Add final touches such as exposure, contrast, color balance, etc. And that's how you can create a simple composite dreamscape!​ A post shared by Adobe Photoshop (@photoshop) on Jul 28, 2017 at 9:27am PDT Step 1 Hey guys! It's @jaxsonpohlmanphotography here. I'm going to show you how to create a composite dreamscape using two photos in just a few steps. Swipe through to see my mini #Ps_Swipe tutorial! Step 2 Using sunrise or sunset photos will add some spark to your final creation. Step 3 Begin by opening the foreground photo in #Photoshop. We are going to mask a portion of the background out to create a smooth transition between the horizon and stars. Step 4 (Video) Use the Rectangular Marquee tool (M) and click and drag across the photo. Make sure to select in between the horizon and the top border of the photo. Go to Select -> hold the "Shift" key and click “Select and Mask.” Adjust the edge by dragging the "Feather" option to approximately 200px, then click ok. Your browser does not support the video tag. Step 5 (Video) Next, use the Move tool (V), click and drag the selection over to your star photo (background). Make sure the foreground layer is above the star layer. Use the Crop tool (C) to extend visibility. Using the Move tool, drag your foreground layer down to the bottom of the cropped area. Your browser does not support the video tag. Step 6 (Video) Duplicate the foreground layer by going to Layer -> and click "Duplicate Layer.” Label it as "no. 2" and click Ok. Select the original foreground layer. Go to Edit -> "Free Transform" and increase the vertical size. Double click to confirm, and then drag the photo down so that is transitions smoothly into the stars. Your browser does not support the video tag. Step 7 (Video) Using the Brush tool (B), we are going to add a bright star to make the transition between the horizon and sky feel a bit more real. Click the Brush Preset picker and adjust to 25px with a hardness of 50%. Change the mode the "Lighten" and have an 85% opacity and flow. Select the duplicate layer "no. 2" and apply the brush where the horizon fades into the stars. Your browser does not support the video tag. Step 8 (Video) After applying the brush to create a star, we are going to apply a second brush to give a glow to the star. Adjust your brush settings to 175px, 0% hardness, 50% opacity, and 25% flow. Apply this brush over the star just created. Your browser does not support the video tag. Step 9 Add final touches such as exposure, contrast, color balance, etc. And that's how you can create a simple composite dreamscape! More Links Check out Jaxson Pohlman's site: jaxsonpohlman.smugmug.com Follow Jaxson on Instagram Learn more Adobe Photoshop Blog: blogs.adobe.com/photoshop