It's that time again, the most wonderful time of the year, at least that's what the old song says. I love the holidays, and Abduzeedo was born at this time back in 2006, which makes me even more nostalgic. But the reason of this post is not to talk about the past but to showcase a tutorial that illustrates the future at least in terms of how mobile tools can be incorporated in your design process replacing old things like scanners. This tutorial is a courtesy of Von Glitschka. He shows us how to create a Holiday Card using Adobe tools like Capture and the old classic Illustrator. Step 1 Even in a digital age, I like to begin with a pen and paper. This design started off as a rough sketch to work out the main art for our design’s theme. Step 2 Working from our rough sketch, I inked the final line work with a brush pen to imbue it with nice thick and thin lines. Step 3 Using Adobe Capture CC, I transformed my art from ink on paper to a digital vector image. I also used the slide control to adjust the exposure and add/subtract detail. Step 4 Once I’ve captured my artwork, I quickly removed the unwanted content, including the pen captured in this image, using the select/deselect slider. Step 5 Using Creative Cloud’s CreativeSync feature, I easily saved my captured assets into Creative Cloud Libraries. From there, I was able to access my vector artwork across Illustrator CC and Photoshop CC within seconds. Step 6 Since installing Adobe Capture CC, I take pictures of anything and everything for inspiration! I’m particularly fond of these anime manga patches, which I used to develop my color theme. The best part – all of these swatches can be easily saved to CC Libraries and acessed in Illustrator CC, InDesign CC and Photoshop CC. Step 7 Once I transferred my artwork from Adobe Capture CC into Illustrator CC, I began to add colors to my penguin. I wanted the color to loosely fit within the lines, so I used the Pen tool and loosely followed the shapes. Step 8 Seeing the colors captured with Adobe Capture CC helped me adjust my overall color scheme to improve my design. Instead of black, I shifted the line work to a darker blue. This kind of fluid workflow is facilitated by Adobe Capture CC because it allows me to easily experiment with a wide range of swatches at a moment’s notice and consider color themes I might not have thought of before. Step 9 Focusing on the background, I used my custom color theme to build out the background image and snow. Step 10 With Adobe Capture CC, you can leverage analog methods and easily integrate them into a digital workflow. For this design, I wanted authentic-looking brush strokes, so I used an actual paint brush and black acrylic paint to create the artwork. Step 11 I love making custom brushes with Adobe Capture CC. For this, I captured my hand-painted strokes, then cropped out what I didn't need. Using the filters, I adjusted and customized my brush stroke to transpose it into an asset. Adobe Capture CC allowed me to test drive the brush within the app so I could see how it would look once I accessed it in Photoshop CC or Illustrator CC via CC Libraries. Step 12 Once I saved my brushes to a CC Library, they automatically appeared in my CC Libraries panel in Illustrator CC. I drew a stroke and applied the new brush design to it. The process doesn’t get any easier, and the results look authentic and add a lot of organic flair to the overall aesthetic. Step 13 I could have used a font, but almost everything in this design was created by hand, so I decided handletter the type as well. I sketched the words on paper, scanned it in and used the Pen tool to complete. The final type in place really added a nice level of fun to this design. Looking at my design, I realized I was missing an integral piece – SNOWFLAKES! Instead of cluttering the design with ornate graphics of snowflakes, I decided to use a repeat pattern. I first created a Pattern swatch (shown on left) in black and white, then adjusted the opacity of the various white flakes as they’d appear on the background color. Once I was happy with the snow, I dragged the art into the Swatches panel and began using the pattern. To adjust the pattern tiling, adjust the elements of the pattern, or recolor it, I just double-click on the Pattern swatch to enter Pattern Editing mode in Illustrator CC. My initial color composition was blue, but creativity is all about exploration. I played around with the color themes to develop three separate color iterations. I settled on the green color scheme for my final holiday card design. The final card design is fun, as was the process to create it using Adobe Capture CC and Illustrator CC. In total, this project took me about 3 hours. For more information check out http://www.glitschkastudios.com/
Back to my image a week after a short vacation, much needed. I have also been spending my time with the new Abduzeedo which is looking much sleeker and soon will be going live. This week I decided to recreate an effect I saw a couple of weeks ago and I saved the screenshot because I thought it would be awesome to know how to do it. After a few tries I think I got a good result, at least worth sharing with you guys. Step 1 Starting with the simple path of the Abduzeedo logo in Illustrator. Step 2 WIth the Offset Path I made the logo thicker and it will also be used to separate both sides. Step 3 Here you can see the 2 different sides. I used red and black but that doesn't really matter because I will change those colors in Photoshop in the next steps. Step 4 Paste the vector from Illustrator to Photoshop. With the Magic Wand Tool I selected the black color and created a new layer with that as a mask. Step 5 Then I did the same thing for the red part. Step 6 After creating the layers, create 2 folders and move the mask to each one of the folders. After that just add layers and start paiting. The mask will do the job of keeping them separate. Step 7 I used the Lasso Tool (L) a few times to make some different cuts, like the 45 deg one on the you can see when the horizontal line connects with the other side. Step 8 Here's after a few tries. Step 9 The last thing I did was to add some shadow. Conclusion Here's the final image with a Photo Filter on top of it. This was a quick first try but I am very happy with the result, of course there's a lot to learn, but it's always good to learn some new things. Download Photoshop file Download the Photoshop file
Week 6 and here we go again. This morning while I was looking for some references or inspiration on what to do I saw a post on Instagram from the Street League, it's the league of street skateboarders. I loved the logo and decided to try to create something with the same style in Illustrator to learn how to do that. After that I just went to Photoshop to add some flare. Below you can see the behind the scenes on how I achieved this effect. Step 1 I started in Illustrator with 3 circles with 1pt for the stroke. Step 2 For the outer circle I changed the stroke to be 5pt for the Weight and Dashed Line with 0.5pt for the dash and 1pt for the gap. For the inner circle, change the Weight to 0.5pt and for the dashed line use 0.5pt for the dash and 1pt for the gap as well. Step 3 With the Type on Path Tool I added the text you want using the Type on a Path Tool. Step 4 Here I cut the parts of the circles/paths that went over the text and then added the Abduzeedo symbol and with some paths I added the Since 2006. Step 5 Now in Photoshop I pasted the vectors and changed the color to #04D9AE using the layer styles. For the background I used #19242D for the color. Step 6 Here I added a stock photo from Shutterstock titled Black textured background by Valzan. I put it on top of all other layers and used Overlay for the Blend Mode. Step 7 Now to add some more realism and old school effects I used the Layer Styles in Photohsop. I added Bevel & Emboss and Drop Shadow. The values are below. Conclusion Here's the final result. It feels quite cool for my new hat. Maybe it will be available at the Abduzeedo store very soon. Download Photoshop file Download Photoshop file used for this tutorial
Week five and another image done. This time I went back in time and attempted a recreation of those crazy light effects I used to do in Photoshop back in 2006-2009. The main reason I wanted to do this was because I found out that with the new version of Photoshop we can now apply multiple layer styles, like multiple gradients, shadows, and inner shadows. That is something I always wanted to have and it's finally here. It saves so much time and also adds so much more power to one of my favorite features in Photoshop. Step 1 I started in Photoshop with a simple gradient from a super dark grey almost black to #453513 Step 2 Here I added an image to set the stage and make sure that the symbol looks great over a realistic metal background. The image I am using is courtesy of Shutterstock, it's titled Metal surface by Manczurov After importing the image make sure you change the blend mode to Soft Light and play with some masking. Step 3 Here I just added the Abduzeedo logo and went stright to Layer Styles. Step 4 Below you can see the layer styles I used for this image, the best thing about the new Photoshop is that finally you can have multiple styles, like more than one Gradient Overlay, or Shadows. For this image I took a lot of advantage of this features. Step 5 To add a little bit more realism I just added a flame, the image is from Shuttestock titled Fire flames collection by Lukas Gojda. I just imported to my image and with the Edit>Transform>Warp I made it match the design. Step 6 Here I created a new layer from a merged copy of all other layers. The shortcut is Command+Option+Shift+E. After that I appied a gaussian blur of 10 pixes for the radius and changed the Blend Mode to Soft Light at 60% Opacity. Step 7 Just duplicate the same layer and apply more blur. Change the Blend mode to Screen at 80%. Also use mask to make just the center visible. The sides should be super dark. Step 8 Here I just added a Photo Filter. Layer>New Adjustment Layer>Photo Filter. I used Colling Filter (82) to add a bit of blue to the image. Conclusion Here's the final result. It's a simple process but it's really cool that we have much more power now with Layer Styles in Photoshop. I always wanted that to happen and finally it's here. Now let's go to week 6. Download Photoshop file Download the Photoshop file used for this tutorial
Another week and another image to be done. The most difficult part is finding the inspiration point, this time however, I knew exactly what my mission would be. This week's image is my attempt at recreating the beautiful Windows 10 wallpaper created by GMUNK. In no way or form am I trying to take credit that this is my design, I just wanted to see if it was possible to create something similar just in Photoshop. The result you can see after the break. I am very happy with the outcome and I will share a little step-by-step on how I did it. Step 1 In Photoshop I started with a thicker version of the Abduzeedo logo in solid white. The background color also is important. I am using #101921 Step 2 After that I duplicated the logo and for the new copy I changed the opacity of the fill to 0 and added a stroke of 3 pixels in white. For the other solid one I just reduced the opacity to 30%. Step 4 Here I just applied a perspective to match the Windows 10 logo style. Just go to Edit>Transform>Perspective. I also created a new folder and moved the layers inside it. In addition to that I changed the Blend Mode of the group to Color Dodge. Step 5 Duplicate the layer with the stroke and go to Filter>Blur>Radial Blur. Use 100 for the Amount, Zoom for the Blur Method and Best for Quality. Step 6 The layer might not be visible or it's very subtle. Here's the secret, start duplicate that layer until you have the effect visible. Merge all the duplicated layers. Step 7 Apply the same Radial Blur to the merged layer. Repeat the same process again. Step 8 After a lot of times repeating the process you will end up with something like the image below. It's pretty straight forward, just duplicating the same layer. Step 9 Select the original layer with the stroke and duplicate it. After that change the stroke to a much thicker value. After that just create the layer from the layer style, add a layer mask to the layer and apply the Filter>Render>Clouds with black and white. The last thing to do to make some areas visible only, just change the Levels of the mask so you have just black and white. Step 10 Here's when I started adding some flares, literally. I used an image from Shutterstock titled Abstract image of lighting flare by 21. I added 2 copies of the flare as you can see in the image below. Step 11 Keeping with the details I used another Shutterstock image. This one is titled Abstract smoke moves on a black background by Vagengeim. The idea is to add that kind of fog/smoke effect you see in the original image. Conclusion To add the final details I simply created a new layer from a copy of all layers by using the shortcut, Command + Option + Shift + E. After that I apply a Gaussian Blur of 15 px radius. Duplicate the layer so you have 2. The one on top change the Blend Mode to Soft Light at 50% opacity. The other one use Screen at 70% opacity. That's it, the image is done. It looks much more complicated than it really is and of course the incredible image created for the Windows 10 was done with real photography and light coming from behind the symbol. Download Photoshop file Download Photoshop file for this tutorial
Let's go again. Third week and third image. I am taking my Sunday night to try to come up with something. I had forgotten how hard it is to start a new image from scratch. I must start paying more attention to movies and books so I can have more inspiration. For this week I tried to recreate a really cool shape I saw on Pinterest sometime ago that was about some hipster badges. I thought it was a great exercise and way to lose myself a bit more. I hope you enjoy it. Step 1 I started in Illustrator. With the Star Tool create a 4 sides star. Step 2 With the Direct Selection Tool (A) select the controller to round the corners. Use the maximum amount for the 4 point star. Step 3 Duplicate the rounded star and rotate it 45 degree. Step 4 Here I started to create some space when the lines intersect. Step 5 Here's the final result with the spaces. Step 6 I added the abduzeedo symbol and made the strokes a bit thinner. Step 7 With the Offset Path, the same we played with last week, I created 3 more lines for each path. They are closed though. Step 8 I delted the lines that connect the paths. That way they are now just 3 lines. There was some little adjustments to make them the same lenght as well. Step 9 I pasted the vectors in Photohsop and then added a Bevel & Emboss and Drop Shadow. You can see the values below. Conclusion To make the image a bit more dramatic I added a nice leather texture offered by Shutterstock, the image titled is Luxury black leather texture background by 123creative.com. The final result as yu can see is a simple yet elegant design. You can even try to add a more chrome style but I was very interested in getting that black on black look. Download Photoshop file Download Photoshop file
Second week of my little project of trying to create an image per week. This time I got inspired by simple vector illustrations I saw that had lines creating the logo. I've done something like this in the past but never with the style that I played with this week, completely out of my comfort zone. Below you can see the little step by step of this image done in Illustrator and Photoshop. Step 1 I started with the Abduzeedo logo in a simple line. Step 2 Then I used the Offset Path to create more lines. Step 3 The offset path is quite simple to use, just offset by 1pt and keep repeating that with the offset path result. Step 4 The end result of the offset path is always a closed shape. So with the Direct Selection Tool (A), I deleted the line that closed the shape to have open lines. Step 5 Now with the lines with a nice brownish color I added a solid and thick version of the logo with a redish/pink color under the lines. Step 6 To add more details I offset the outer path once again but for this one I used the dashed stroke with green for the color. Step 7 Here's in Photoshop already, I edited a bit the green path to make it less uniform. The background also was changed to a beige tone. Step 8 I added the logotype "Abduzeedo" trying to replicate the same effect. I just used copies of the text with different strokes. Conclusion Here's the final result of my second image. I had never played with this style and it was a good exercise for me, especially in terms of going out of my comfort zone. Download Photoshop file Click here to download the Photoshop file
In the past year I stopped writing tutorials and the main reason was that I thought they weren't relevant anymore given the copious amount of great websites out there. Also, I believe the audience of the blog has already matured and focused more on other areas of the design process such as ideations and the the process itself. The tools, as I always tried to emphasize, is the least important part of the process, but it's important to have command of them. As a good craftsman, knowing the best tool for each trade will save you a lot of time. The thing is, I miss creating new things and that helped me a lot in terms of productivity. With that in mind I will try to create an image per week for at least one year. Let's see if I can stick to my word. Step 1 In Illustrator I created a version of the Abduzeedo logo with a inner stroke. After that I just created a copy of the logo and moved it down and right to create a hard shadow. Step 2 I used the Blend Tool to create the lines for the highlighted area. The first part was kind of easy, just linear Blend. Step 3 For the edges that are curved it was a bit trickier. The biggest problem was the spacing between lines, so if you try to do it I recommend a lot of tweaking until you get a cool result. Step 4 Here's with both sides done with the Blend Tool. Step 5 Now in Photoshop I copied and pasted the composition in different layers. The idea is to manipulated each one individually. Step 6 For the lines created with the Blend Tool in Illustrator I just added a mask and with the soft brush I made them fade away on the edges. Step 7 Here's both sides once again. The bottom lefft is a bit too sgrong in my opinion. Step 8 With the brush tool I softed a bit more the bottom edged. Conclusion The last thing to do was to add a little noise and dust texture on top of everything. This image took me a few hours but most of the time was tweaking the details. At the end of the day that is what gives the level of refinement that I was trying to accomplish. Download Photoshop File Download Photoshop File
This weekend I took 30 minutes of my time to watch Kung Fury. What a masterpiece! It's a true homage to the 80s actions movies full of the cliche styles that made that era the most creative and visually rich in my opinion. After watching the movie I had to go back and dust off my Photoshop skills to create something inspired by that. The movie is full of references and of course the computer glowing grid effect which happened to inspire this tutorial. So for this tutorial I will show you how to create an 80s style composition with the classic glowing grid. We will use Photoshop for most of the tutorial and a little bit of Illustrator for the vector part. Step 1 Let's start by creating the grid that we will use in Photoshop. The best way or the easiest at least, for me, is to use Illustrator and the Rectangular Grid Tool Options. Create a grid with 40 dividers for both horizontal and vertical. That's it, the next steps will be all in Photoshop. Step 2 In Photoshop, create a new document. I am using 2880x1800 for the size. Paste the grid in the document and then with layer styles change the color of the grid to white. Step 3 Go to Edit>Transform>Distort. Then just start distorting the grid till you get the effect you want. Step 4 I am pretty much using half of the screen, a little bit less actually. Below you can see my result. Step 5 Select the background layer and then go to Layer>Layer Style>Gradient Overlay. Change the colors for purple to blue and make sure that the Dither option is selected. Step 6 Select the grid layer and group it. Change the Blend Mode of the group to Color Dodge. After that duplicate the grid and first apply a Gaussian Blur (5px). Then for the same layer apply a Layer Style Outer Glow. Use 30px for the Size. As you can see you will have a nice glowing grid. Step 7 Duplicate the group and flip it vertically so you create the top part. Step 8 With the Ellipse Tool create an ellipse filling the center of the screen line the image below. Step 9 Go to FIlter>Blur>Gaussian Blur and apply a 60 pixels radius blur to the ellipse. Step 10 Add a new layer and fill it with black. After that with the Brush Tool create an oval brush and paint with white in the center of the document like the image below. Step 11 Change the Blend Mode of the layer with the white ellipse to Multiply. Step 12 Add a new layer and fill it with white. After that go to Filter>Noise>Add Noise. Use 8% for the Amount and Gaussian for the distribution. Step 13 Change the Blend Mode to Overlay.You can also add a new layer with a scanline pattern to create an even more retro effect. Conclusion Of course to finish the design we need to add our logo. This time we are using the beautiful SN Neo-Noire Font font by the mighty James White from Signal Noise. The font fits like a glove to this style and as you can see we are pretty much done here. You can create variations with or without the top part. I kind a prefer without it. It is up to you. Now take 30 minutes to watch Kung Fury and also get inspired to play and learn new techniques in Photoshop. Download the Photoshop File Download Photoshop file
The last tutorial I wrote was back in January, it's been quite a long time and boy I missed it. I have been trying to organize myself to start playing more with not only Photoshop and Illustrator but also Sketch and other tools so I can share some new things with you. It's always a challenge due to my day to day job but it makes me feel so good when I finish something that went from my head to the final design in a very short period of time. Quite refreshing. So this week I will share a tutorial on an image I created inspired by some similar artworks I saw on Pinterest, more precisely, the project call Linea by Marcos Bernardes.. The tools I used were Illustrator for the basic vectors and Photoshop for the final details and shadows. Referencens Step 1 Open Illustrator and create a new document. After that with the Line Segment Tool create 2 lines like the image below. The rectangle size is for a 2880x1800 resolution. Step 2 Select the Blend Tool and create a blend object by tapping on both segments. After that double click on the Blend Tool icon to open the Blend Options dialog box. Change the Spacing to Specified Distance and use 30 pixels for it. Step 3 With the Pen Tool (P) create the shape you want to pop from the lines. I am using the Abduzeedo symbol. Step 4 After creating the shape you want duplicate it 3 or 4 times to make the symbol spread to more lines, like outer stroke. Also you will have to create a shape with the color of the background to hide the lines that go under the symbol. Step 5 After that with the Pen Tool and the Direct Selection Tool make sure to connect the new lines with the ones that they should diverge from. Step 6 Select the points that the lines connect and then change the corner option. I am using 90 pixels for the roundness. Step 7 Change the colors to the ones you prefer. I am using a dark grey and teal color. I like the dark themes, this one heavily inspired by Google Material Design. Step 8 With the Polygonal Lasso Tool select the symbol and create a new layer from it (Layer>New>Layer from Copy). After that go Layer>Layer Style>Drop Shadow. Step 9 For the shadow options I used Multiply for the Blend Mode, 120º angle, 20 pixels Distance, 40 pixels Size and the most important, 25% Noise. The noise is really cool because it adds some nice texture to a rather uniform vector illustration. Step 10 Group the layer and then apply a mask to hide the areas selected below. That way the shadow will give the perception that the lines are going over or popping from the rest of the composition. Conclusion You can also add some vignette and more textures if you want. For me it's pretty much done. I could go over some details that still bother me a little bit like some of the lines in the middle of my symbol. But that is beyond my little thought/practice exercise. I hope that is useful for you and you can play with that on your own ideas. Download Photoshop file Click here to download the Photoshop file
This weekend I started working on an Android mobile version of the site using the Material Design spec. The style-guide is super complete and covers a lot of basic visual design needs like grid system, typography and color palettes. Besides that Google was awesome to provide sticker sheets in Photoshop, Illustrator and Sketch. So for the next couple of weeks I will be exploring some new designs for Abduzeedo and will be sharing with you here. In this first post I will share my first steps, downloading fonts, files and basic layouts. I would love to hear your feedback and also if you want to join the redesign of Abduzeedo please do share and we can definitely apply your design tips and give all the credits to you. Getting started The first thing to do is head over to Google Design (http://google.com/design/) and check out the spec, communities and everything available. After that focus on the spec because there are so many cool things already done for you so you can spend time trying to solve your design problems and improving your product. Typography My idea is to design an Android app, so I will first try to stick with Roboto for the font, but later on I might try to bring back some of our current design which used Varela Rounded. So again, download the font and install it so we can get started. Resources Besides downloading Roboto, make sure you get other resources available on the site as well, including layout templates, sticker sheets and icons. I downloaded the Components sticker sheet for Sketch for my project. Example of the sticker sheet in Sketch. All components I need to start designing my mobile app. References Another important thing is to know where to look for some references. Of course there are much more than just digital references but it's good to see what others have been doing with the Material Design spec. That said, Materialup is a great website with tons of amazing examples from visual to motion design. Designing the app Abduzeedo is a website that is all about images, we started it as a way to share images and other things that inspired us and because we decided to write it in english we were always trying to be short because of the limits of our english skills but also because we knew that there was a universal language commonly understood by all and images do an amazing job of speaking to that. That said for the mobile app, based on stats, we believe there are some things we could explore: Horizontal navigation for different categories (tabs) Full screen images for the featured content like Flipboard Simple yet elegant grid for verticals. Questions we always ask ourselves: Do we need description text besides the title? What metadata do we need to display? Could we not show title at all, just the image? How will we handle ads? Those questions are extremely important for us to set some constraints. Advertising is always the most complicated, at least on desktop, due to the format sizes that usually are fixed and not responsive. For mobile, at least for the first part, I won't bother with ads. I know it's wrong but I want to focus on creating a super compelling visual experience. The first thing I did was to get one layout template. The dark theme looks interesting, but it's quite different from the desktop experience. I won't scratch it off my list but I decided to try a light theme using the tabs navigation. As you can see below, it definitely looks very coherent with our current experience. One version I also explored with the Abduzeedo symbol in the center of the app bar. I know that it's not in the spec, but as I said, I want to explore ways to apply the style but not get limited to it. Another thing that you can see in the mocks, is that I tried to use cards. I am not a fan of cards, but it's important to explore all possibilities. Explorations The navigation with tabs feels good to me, especially in apps like Newstand and Flipboard. There are a couple of issues I encountered: The navigation tends to take a lot of real state. Is there a smarter way to solve that? Facebook Paper does a great job with gesture navigation and pretty much a transparent UI. How discoverable will it be for the users and also how many tabs should the app have? Below you can see some explorations with the Featured screen which would have 1-3 articles using full screen images with big and bold text. Swiping to the left we would have the Recent tabs, which is the current stream of our website. For this session my idea is to have full width content with 8dps space between content inspired by the Inbox. For the vertical areas I explored a grid with just images. The idea sounded good in my head, but the first exploration looked a bit too overwhelming for the users, especially due to the lack of text. It's hard to understand what's going on. These explorations gave me some clear understanding of the direction to follow and that I had to simplify the design even more. Simplifying By removing the navigation the design gets to a level of simplicity that really pleases me. The featured screen really makes the image shine. The grid seems a bit weird, I tried to keep the 72dps left alignment for the title, it works for that screen, but for the Recent screen it was a bit to much, so I moved back to 16dps. To increase contrast, I decided to put the text over the images on a overlay block using a color extracted from the image. The first one you can see has a green color. To make it more subtle I changed the opacity to 70%, that way we can see the photo but still read the text quite well. The logo on the top right works really well, but I have to think about the navigation, that will be a much longer conversation To be continued... This is just the beginning of this process. I will try to keep this going for the next couple of weekends, going through the whole process and ending with dynamic prototypes. As I said, I would love to see you guys trying as well. I am curious to see what you guys would come up with for the Abduzeedo mobile design. So feel free to share with me via comments or via email at firstname.lastname@example.org. Thanks so much and till next Sunday.
Since we started the blog in 2006 I have been creating an artwork to celebrate the new year. It's a way to start the year motivated and challenged. This year, 2015 we will celebrate 9 years on the road, so nothing better than put together the ninth installment of our series. This time I am using just Adobe Illustrator to create a simple and abstract 2015 poster. I will probably try to do that in HTML/CSS just for fun in the next couple of weeks. So I hope you enjoy and Happy New Year! Let's make it great! Step 1 Open Illustrator and create a new document. Start with 2 simple forms, a square and a circle. Step 2 With the Direct Selection Tool (A) delete the right side of the square. Also move the bottom part of the square to end at the top center point of the circle Step 3 Still with the Direct Selection Tool (A), delete the top left segment of the circle. Step 5 Now move the top part of the square to make it a little smaller. The number 5 will be pretty much done. Step 6 Create the number one using the Pen Tool (P) Step 7 Create a square to use as a frame/background for our logo. Step 8 As you could see in the previous step, I was playing with rounded corners for the numbers, however I think it's better to keep the edges sharp. So I moved back to the simple version. Step 9 Color selections. Here's the palette I decided to use. It's a pastels/80s style. Step 10 Time to apply the colors. The first thing to do is to make the strokes bigger and change them to white. Then start applying the colors from the color palette. Step 11 Create a rectangle and duplicate it 4 times to create a stripe effect. After that use the colors from the color palette in order, from the lighter at the top and darker at the bottom. Step 12 Select the 15 object and group it. After that copy it and paste it on top of the other objects. Select the top object and the color stripes (make sure they are grouped). Then press Command + 7 or Object>Clipping Mask>Make. Step 12 Now make sure that the background rectangle clips the numbers as well. Conclusion For the text I added a line per stripe to say "Welcome 2015 - Let's make it Great - ABDZ - Since 2006" and the design is done. It was a simple idea that I wanted to put together to celebrate the 9th year of Abduzeedo online. I hope you like it and happy 2015 to all.
This weekend I went to the movies to watch Interstellar in IMAX 70mm. This movie was for me the most anticipated one this year and I left the theater in awe. The movie is visually stunning and as expected from Nolan, a mind-bending experience in terms of storytelling. Still blown away, I decided to create an image in Photoshop inspired by my experience watching this incredible film. So in this little tutorial or case study, I will walk you through my process from Illustrator to Photoshop. I won't provide a lot of details because I think it's better for you to try and not follow instruction, but I think you can have a good idea of how the end result was achieved. Step 1 In Illustrator, create a new document and then with the Polygon Tool create a polygon with more than 8 sides. Step 2 With the Line Segment Tool start creating lines and connecting them to create the polygonal effect we want to achieve. Step 3 Once you finish the full sphere, delete some areas in the center like the image below. After that with the Ellipse Tool, create a circle for each intersection of lines. Step 4 I repated the same process for the Abduzeedo symbol. Step 5 In Photoshop, create a black circle in the center of the document. Step 6 Import the design you created in Illustrator to Photoshop. Step 7 To add stars in the background, an easy techinque is to create a new layer, fill it with black and then go to Filter>Noise>Add Noise. Use around 10% for the amount. Then go to Image>Adjustments>Levels. Adjust the black and the white leves until you have just a few white dots. Step 8 Add the text you would like to add to your design. I am using a quote from the Interstellar movie. Step 9 Using Google Image search I searched for a light leak image. Then with the Adjustments>Hue and Saturation I changed the colors to a cool, blue/purple palette. After that change the Blend Mode to Linear Dodge (add). That will make the image only visible over the dark areas of the composition and invisible over white. Conclusion The process behind this image is quite simple and it was something I used to do a lot in the beginning of the blog, just playing with Blend Modes and the space theme. With vectors and the white area the composition got simpler and more refined. It would work really well for a poster as well. Now it's up to you to come up with your own design, but first, got to the movies to watch Interstellar and get some inspiration.
I've recently written about Google's newly launched visual design language called Material Design. The goal of this new design is to create a visual language that synthesizes classic principles of good design with the innovation and possibility of technology and science. The idea is to create a UI that has the best of both worlds, digital and physical. Some of the imagery they presented in the spec share some common characteristics, like depth, paper style effects and vibrant colors. I decided to take a pass and try to create an image inspired by the Material Design styleguide. So in this tutorial I will show you how to create a simple composition in Photoshop inspired by the Material Design styleguide. The whole process will take over one hour or even more if you get into the details. Step 1 Open Photoshop and create a new document. I am using 2880x1800 pixels, the resolution of my Macbook Pro. Step 2 With the Rectangle Tool (U) create a rectangle and rotate it. For the colors I am using the Material Design color palette called Blue Grey (http://www.google.com/design/spec/style/color.html#color-ui-color-palet…). The colors I will use will come from the palette, the only different one will be the accent color. //--> Step 3 Again with the Rectangle Tool (U) add another rectangle and rotate it again to create the outer part of the A. Step 3 Duplicate the rectangle from the previous step and move it a little bit to the right to create a second pane for the left part of the A. Step 4 Do the same for the right part, but this time use pink for the accent color. Step 5 Keep adding rectangles until you have the form you like. Remember to keep the idea of pieces of paper stacked. Step 6 For the textures I used to different techinques. The first one is by using images and clip masking. The other one is by using patterns and layer styles. For this step we will use clip masking. Search for paper textures you want to use and paste in the document. Step 7 Change the Blend Mode to Color Burn and move the order of the layers. Step 8 For the Layer Styles, I used Bevel and Emboss, Pattern Overlay and Drop Shadow. Use the values below to see how I did. The biggest change for the other layers will be the Drop Shadow values. Step 9 Here's the first sheet of paper with the effects. Step 10 Repeat the same process for the other sheets of paper. The main difference will be the drop shadow values. Conclusion After all these steps you will end up with something similar to the image below. It's important to play with some values for shadow, bevel and also blend modes depending on the colors you choose. The palette I chose is not super vibrant so it's a bit different than if I used a more vibrant and saturated tone. The shadows also make a huge difference. Some will have to be more subtle while one or two will be long and strong. Those details will create the depth you want for the composition. Now it's up to you. I will keep playing with mine trying to improve the realism of the shadows and edges of the paper. I hope you have fun creating your own version. I also would like to thank Shutterstock for some of the textures I used in this tutorial.
A couple of weeks ago I posted an image with a polygonal background that I discovered on the Pattern Library website and got some requests to recreate so herein lies my attempt. So in this tutorial I will show you how to create a vector polygonal pattern using Illustrator and the Pattern make feature. The process is quite simple but there are some details that are very important to make sure your pattern is tileable. Step 1 Open Illustrator and create a new document. With the Rectangle Tool create a square like the image below. Step 2 Duplicate the square by holding Option+Shift. Make sure they snap with no space between them. //--> Step 3 Create a grid by repeating the step 2 process. Step 4 With the Direct Selection Tool (A) select the top and bottom points on the same column. Them move them to any direction. It's very important to do that for these points because that will make sure that the illustration will be tillable. Step 5 Here's the outside points that will connect when you create the pattern. Step 6 For the internal points you can do whatever you want. If you want smooth polygons don't move them too much. Also if you want to add more square to your grid that will allow you to give more details to your background. Step 7 Add some colors, I used greyscale because I can change the hues in Photoshop later on. Step 8 Select polygons that have the same color and duplicate them in place. Then go to Window>Swatch Libraries>Patterns>Basic_Graphics_Lines. Use one of the horizontal lines presets. Step 9 Select the image you created and go to Object>Expand. After that group the shapes and go to Object>Pattern>Make. Select Size Tile to Art and Move Tile with Art. After that change the H and V spacing until you have no space between the tiles. Step 10 Click done and you will have a nice poliygonal pattern to play with. Step 11 In Photoshop, create a new document. I am using 2880x1800 pixels. Copy a big rectangle with the pattern in Illustrator and paste it in Photoshop. Step 12 Add a new layer on top and change the color. After that change the Blend Mode to Overlay. You can try as many colors you want by doing that. You can also play with the Levels to reduce the contrast . Conclusion Add your logo and you are good to go. The process is quite simple, it's just about paying attention to the details and you will have a nice wallpaper for your laptop or new iPhone ;) Download Illustrator File Download the Illustrator file used for this tutorial