For this week's tutorial I will extend the Chrome Effect in Photoshop tutorial and add a super cool light effect simulation featuring a fan hole in a computer. We will use some images and Photoshop's layer styles for the whole tutorial. The process is quite straightforward but it is a little time consuming, roughly one hour to create your own image. Step 1 Open Photoshop and create a new document, as usual I am using 2880x1800 pixels for the dimensions so I can use it as a desktop wallpaper. Using the Paint Bucket Tool, fill the bakcground with #201E1E for the color. Step 2 Add a new layer and fill with with black. After that go to Filter>Noise>Add Noise. Use 15% for the Amount, Uniform for the Distribution and Monochromatic. This is pretty much the same process we did to create the plastic texture in our previous tutorials. //--> Step 3 Duplicate the noise layer and then just flip it horizontally. After that group the 2 layers and apply a layer style for the group. Go to Layer>Layer Style>Gradient Overlay. Use Radial from mid grey to dark grey. Step 4 For the internal part of our speaker or computer search on Google Images for some videocards, they usually are super cool in terms of design. I also used an image with light effect I did a lont time ago for the Abduzeedo Book. You can use anything you want for the light effect. Merge both images and then go to Image>Image Adjustments>Hue/Saturation. Select Colorize with 40 for Hue, 50 for Saturation and -13 for Lightness. Step 5 Time to mask everything. For my design I used a vector I found online with the circles like a round phone speaker. Create a marquee selection of the shape and mask the internals. Step 6 This is what you will have after the masking. Step 7 With the shape you used to create the mask go to Layer>Layer Style>Blending Mode. Change the Fill Opacity to 0. Select Bevel & Emboss and then use the values below, after that select Contour and use 56% for the Range. In the end duplicate this layer and change the opacity to 10%. Step 8 Add a new layer on top of the other layers and fill it with black. With the Brush Tool (B) paint a circle with a dark grey like the image below. After that change the Blend Mode to Color Dodge. Step 9 Go to Layer>New Layer Style>Photo Filter. Use Warming Filter at 30% Density. Step 10 Select all layers and duplicate them. Merge the new layers and with the new layer selected go to Filter>Blur>Gaussian Blur. Use 15 pixels for the Radius. Change the Blend Mode to Screen at 70% Opacity. Conclusion Now to finish the design just add your logo with the same nice chrome effect we created in our previous tutorial, Chrome Effect in Photoshop and your design will be done. Now it's up to you to come up with your own. I hope you have fun. Download Photoshop File Download the Photoshop file used for this tutorial
Photo manipulation allows us to do everything we want and imagine, I think that's why I love that so much because there's no limit. Artists across the world have been pushing the limits, guys like Erik Johansson and many others. For this post we show a simple but yet inspiring artwork created by Kareem Hossam, a visual artist from Cairo, Egypt. For more information about Kareem check out his portfolio at https://www.behance.net/kimz Credits Idea: Hany Ibrahem Photographer: Ahmed Farouk Retoucher: Kareem Hossam
A couple of weeks back we featured an image for the wallpaper of the week that was the Abduzeedo symbol with a chrome effect. Quite a few people asked me how it was composed so this weekend I decided to write a simple tutorial on how to achieve a cool chrome effect using Photoshop. I am using the Photoshop CC but you can create a similar effect with pretty much any new version of Photoshop. So, in this tutorial I will show you how to create a chrome effect in Photoshop using just layer styles. The whole process is very simple but it might require some tweaking and a little bit of time. Step 1 In Photoshop create a new document. I am using 2880x1800 for the size so I can use it as a desktop wallpaper for my laptop. After that put the logo/symbol you want to apply the chrome style. //--> Step 2 Add a new layer and fill with with black with the Paint Bucket Tool. After that go to Filter>Noise>Add Noise. Use 12.5% for the Amount, Gaussian and Monochromativ. Step 3 Duplicate the layer and for the one on top go to Edit>Transform>Flip Horizontal. After that change the Blend Mode to Screenat 40%. Step 4 Group the 2 layers with noise and then for the group apply a layer style. Select Gradient Overlay and use Radial with a light grey in the middle and black for the edges. Step 5 Select the symbol and then go to Layer>Layer Style>Blending Options. Use the settings like the images below. Note: The settings might vary depending on the type and size of you symbol, so play with the values until you find the best result. These are the best settings for the Abduzeedo symbol. Step 6 Here I added the logotype and apply similar chrome effect. Step 7 Select all layers and duplicate them. Merge all the new duplicated layers onto one layer and then go to Filter>Blur>Gaussian Blur. Use 15 for the amount. After that change the Blend Mode to Screen at 50% and go to Layer>Add Layer Mask. With the Brush Tool make only the symbol area visible so this layer will create a sort of glow effect. Conclusion Here is the final result. As you can see the last step add a nice shine and glow to the image making the chrome look more realistic. I mentioned before, but it's important to play with the settings because they might have different results depending on the form of your symbol. Now it's up to you, just have fun and start creating nice wallpapers as well. Download Photoshop file Download the Photoshop file used for this tutorial
There's no limit to our imagination and with the right tools and drive we can translate our most creative ideas into beautiful artwork. For this week's case study we feature a project titled 'Harmful Nature' from our friends over at Lightfarm Studios. We featured this image for the wallpaper of the week and on this post we've decided to give you a little sneak peek behind the scenes, enjoy. Harmful Nature is the new promo video from Lightfarm Studios. Conceptually the image brings a dark and tragic metaphor about the impossible love with the classic tale of the Diver and the Mermaid. Along one month we used the latest 3D technology in cloth simulation on this piece where everything was modelled, from the ship wreck to the corals. The model was shot in a diving pool for the best realistic results as possible to seamlessly blend photography and 3D. From the underwater shooting session to post production we blended all of our knowledge in 3D and post production into a piece that is as real as dark, always aiming at breaking our own limits as artists. Video Harmful Nature - Making of from Lightfarm Studios on Vimeo. For more information visit http://www.lightfarmbrasil.com/
As a designer sometimes it gets frustrating to come up with new pieces with the same old brushes all the time. For that we have some very generous designers sharing great Photoshop brushes for free! Kudos for these guys for sharing such great presets. Here you can see a nice selection of some super useful brushes. To download these freebies all you have to do is to click each image so that you can see the download link at Dribbble. Also, if you got your own design resources, we'd love to know! I hope you enjoy these. Cheers. ;) Element Photoshop Brush Set Winter-Pak High Res Fabric Textures Photoshop Brush Set Scratchy Free Grunge Brushes 25 Ink and Watercolor Photoshop Brushes No.3 50 Watercolor Photoshop Brushes Noise effects Spray Splatter Photoshop brushes Speckle Brushes made of Cocoa Subtle Brush Set 3 Brush set from Function Dirtbag HD
It's been quite some time since I've experimented with new ideas. Today, I decided to go through my personal library of inspiration, likes on Pinterest, etc and found some really good images from various artists, in particular the work of Sarah Mick. I am also still in love with the game Monument Valley, so this post also has much inspiration drawn from that visual language. Let's get to it. In this tutorial I will show you how to create a super simple wallpaper using Photoshop and Illustrator. The process is very straightforward but the result is quite good in my opinion. Step 1 Create a new document in Illustrator and then create 2 squares like the image below. The smallest one in black and the bigger one in medium grey. Step 2 With the Blend Options select both squares and them create a blend with 3 Specified Steps. Step 3 Add another rectangle for the background with a light grey, like the image below. Step 4 Copy the image from Illustrator and paste it in Photoshop. Step 5 Go to Filter>Blur Gallery>Tilt-Shift. Use 15 pixels for the Tilt-Shift and 0 distortion. Step 6 Let's add an image for the background. I am using a sky image in grey scale that I found on Google Images. After that I masked it to make sure it wasn't overlapping the triangles. Step 7 Go to Layer>New Adjustment Layer>Hue and Saturation. Use 195 for Hue and 43 for Saturation. Step 8 Now select all layers and then merge them into a new layer. After that go to Filter>Noise>Add Noise. Use 2% for the Amount and Gaussian for the Distribution. Conclusion Now just add your text and logo and you are good to go. It's a simple artwork but has some strong visual appeal because of the triangles and since I saw some posters on Behance and the game The Monument Valley I fell in love with this concept. Now it's up to you, just go and have some fun! Download Download the Photoshop file
"A 3D Oasis Where Beauty Meeds Danger" is one the latest pieces by Justin Maller for Shutterstock Designer Passport Project where different designers create amazing pieces using shutterstock photos and break down the process for us. Check it out! Justin Maller is a graphic designer from Australia who currently resides in Brooklyn, New York. His portfolio boasts a varied and impressive selection of illustrations, and for this edition of Designer Passport, we asked him to apply some of his unique techniques to our collection of images."
Our friends from the Lightfarm Studios keep delivering really cool photo-manipulations, this time they released a project titled Letters Can Kill for Mitsubishi. The project consists of a series of letters designed to look like faces of people, in this case bad people like Hitler, Saddam Hussein and others. For more information bout Lightfarm Studios visit http://www.lightfarmstudios.com/ Via Behance
For the 2014 release of Creative Cloud, Adobe is celebrating creativity by bringing together amazing artists from around the world to remix the Creative Cloud logo into a collaborative mosaic. Each artist gets one tile. The finished piece will be an expression of the endless possibilities of Creative Cloud. These are only a few pieces of the puzzle, to view the entire mosaic go to Adobe Creative Cloud.
We have seen quite a few illustrations with the low poly style, it looks like a very difficult technique but Breno Bitencourt put together a very complete Photoshop tutorial showing the process, including a video. I will really give it a try and now you have the chance to try to, check it out. Here I'll show you step-by-step how to create a stylish low-poly portrait in Illustrator and Photoshop. The secret to creating works in this style is working from the best reference photos – and first off Breno reveals how to capture these (using himself as a model). He then reveals how to work these up in Photoshop, then create a vector version in Illustrator. Video Breno Bitencourt is a graphic designer from Brazil specialized at logo design, as well as corporate identity that works with clients globally. For more information about Breno visit https://www.behance.net/Bitencourt
Following our new series of positive thinking wallpapers today we will show you how to create a simple and soothing image using Photoshop. The author we feature today is Confucius and the quote is "Everything has beauty, but not everyone can sees it". We will also use a stock photo from Unsplash. So in this little case study/tutorial we will show you how to play to some basic masking, photography and typography to create a beautiful wallpaper. The process won't take more than 45 minutes but I am sure you will have a lot of fun. Step 1 Open Photoshop and create a new document. I am using 2880x1800 pixels, the standard retina display Macbook Pro resolution. After that let's start playing with our positive quote from Confucius. Add the word BEAUTY. The font I am using is called Liberator. Step 2 With the Rectangle Tool, create a rectangle with a 10pt stroke. Step 3 Now add the rest of the text. The first part using the same font and the last using a smaller font. In my case I used Orator St. Step 4 For the background I am using a photo from http://unsplash.com/ - I wanted an image with a cold/calm feel and I found this one with some trees and the fog. I liked the mood of it. Step 7 Change the color of the text from white to a purpleish extracted from the image. I apply a Layer Style>Color Overlay to a folder with the typography elements. Step 8 With the Magic Wand Tool (W) select the tree. Then mask the text and rectangle so you can make some branches going in front and behind the symbol. Step 9 Here's a zoom version to see how I played with the branches and the typography. Step 10 Go to Layer>New Adjustment Layer>Photo Filter. Use the Warming 85 at 33%. Conclusion Add your logo and you are good to go. The design is simple and soothing, exactly the mood I wanted to have for this particular design. So as Confucius sad "Everything has beauty, but not everyone can sees it" - maybe that's why I will probably be the only one who can see the beauty on this wallpaper.
Photoshop is a way to free your imagination and here you can take a look inside the mind of Martin Grohs. Each piece has it's own world of creativity and execution into something real within your eyes. Enjoy! In 2007 I've started with the digital retouching. At the beginning I have corrected merely a pair of faults. But with the time I found more and more enthusiasm to work and to change more. With the time I have more and more intensively dealt with the manipulation and have learned to love it. So I have slipped to this area. But meanwhile I leave it no longer only at simple picture manipulations, but I always try to visualize and to create more interesting, unique and re-recognizable ideas. Here one small insight into my thoughts and their putting into action. I hope you like them... For more from Martin Grohs visit martin-grohs.com and behance.net/grohsARTig.
The Voyager artwork was created as a Ten Dollar Fonts showcase for a brilliant font designed by Maarten Van’t Wout. I used Cinema 4D and Photoshop to create the atmospheric photo manipulation. The technique is to use different blend modes and adjustment layers as combo to create dynamic lighting for each elements in the composition. I will be showing you these simple techniques to create the artwork. The tutorial includes a part of Cinema 4D but I’ve also included the already rendered pictures for people without C4D to follow. Step 1 We are going to create the 3D text in Cinema 4D first. Create a new motext using the font, type in desired words and change the horizontal spacing to 85 cm with the depth of 35 cm. Step 2 There are two lights being given to the type. The first one is directly above the type at 100% intensity and another light is in front of the type with only 50% intensity. Also make sure you change the shadow mode to area as well. Step 3 Create a new material and change the color to R: 23 G: 23 B: 23 and assign it to the motext. Step 4 Create a new camera and place it along centre of the type. Change the focal length to 76 mm. Step 5 Open up Render Settings > Output and change the resolution to 4500 pixels wide and 3000 pixels high. Also change the saving format to PNG with straight alpha and separate alpha checked. Last of all, add Global Illumination from Effects menu. Step 6 We will be exporting two different renders. One is the full 3D render and another is flat type layer. To get the flat render, change the depth of the type to 0 cm and then render it. Step 7 Open Photoshop and create a new document with 4500 pixels width and 3000 pixels height then fill the background with black color. Place the stars.jpg and change the opacity to 50%. Step 8 Import the two renders and make sure you have the flat type layer on top of the 3D type layer. Also name flat layer Flat and 3D layer 3D. Step 9 As you can see the type is not that popped out enough yet and we need more rim light on the type. To do that, create a new layer above the Flat layer and clip mask it. Then grab a soft brush with white color and paint along the sides of the type. Step 10 Repeat the step 9 again but this time it’s for the 3D layer. Step 11 Group all the type layers and name it Title. Create a level adjustment layer with a clipping mask to the group. Change the values to 0 : 0.83 : 131 . And now we have a pretty dramatic looking type. Step 12 Import the astronaut.jpg and mask out all the white background so that you will be left with the astronaut only. Place the layer below the Title group and move the astronaut so that he looks like he’s hanging on to the ‘A’. Step 13 The astronaut is too bright compared to the type and it needs darker shadows. Create a new Levels adjustment layers and change the value to 63: 0.37 : 225 and clip mask it to the astronaut layer. Step 14 Create a new layer above the astronaut layer and name it Highlight. Make sure to put the highlight layer between astronaut and the adjustment layers. Grab a soft brush with white color and paint into the sides of the astronaut. And change the layer blend mode to Soft Light. Step 15 Create another layer below the highlight area and name it Shadow. Paint inside of the astronaut with a black soft brush with the opacity of 10%. Step 16 Make a group of all the layers except the Title group and name it astronaut. Create a new vibrance adjustment layer. Change the value of vibrance to 100% and the value of saturation to 0%. Step 17 Import earth.png and place the layer above the stars layer. Move the earth to the center aligned with the background. Step 18 Create a new layer and clip mask onto the earth layer. Change the blending mode to Soft Light. And paint in shadows to the bottom part of the earth. Step 19 On the same layer, paint on the top of earth with a white soft brush to lighten up the top half of the earth. Step 20 Create a new layer beneath the Earth layer. Paint along the contour of top half of the earth with a soft white brush. This will create a glow behind the earth. Step 21 Import moon.png. We’re going to repeat Step 18 and 19 to create the similar effect but instead of on top, we’re going to paint it on the left side. Step 22 Group the moon layers and the earth layers. Create a new exposure adjustment layer and a vibrance adjustment layer. Change the value as shown below. Step 23 Now we’ve got a pretty cool atmosphere now but the elements are not cohesive yet. Create a new color balance adjustment layer and a vibrance adjustment layer. Change the values as shown below. Step 24 Create a new layer and name it Top Light. Select a soft brush with the biggest size and change the color to #6d7595 . Paint it along the top of canvas and change the opacity to 40% Step 25 Import flare.jpg and change the blend mode to Linear Dodge. Adjust the position of the flare to the top and centre of the earth. Create a new levels adjustment layer and change the values as shown. Step 26 Find any unwanted highlights or areas that need more shadows and paint above on it by creating a new layer with soft light blend mode. Create a new layer and press shift+cmd+E (shift+ctrl+E) to merge all layers into one. Choose Filter>Sharpen>Unsharp Mask and change the values as below. Conclusion The techniques I’ve shown are simple but they do take time to fine tune depending on the source light in anyway artworks. I hope you’ve learned some new techniques from the tutorial. For more information about me and my work, please visit http://thebeaststudio.com Source Files Download Source Files
I have been playing more with simple stencil style logos in my spare time, especially because it requires a lot of practice and attention to detail. I surely have a lot to improve upon and that's why I have been spending time trying to recreate this style using Illustrator and Photoshop. For this tutorial I will show you how to use simple Illustrator tools to create a very trendy logo. The process is quite simple and can be applied to all sorts of logos and illustrations for your future projects. Step 1 In Illustrator create a simple stencil using basic shapes and different fonts. The fonts I used here can be found at the Lost Type http://losttype.com/browse/ - Step 2 Let's start adding some effects. The first one is the Blend effect. Select the word New York and duplicate it. Change the color of the duplicated word to white and make sure it's underneath the black one. After that go to Object>Blend - Use 4 pixels for the Spacing with Specified Distance. Step 3 Repeat the same thing to create a simple effect of diagonal lines for the top horizontal dividers. Step 4 Select the first text and go to Object>Envelope Distort>Envelope with Warp. Use Arc for the Style with 30% for the Bend. Step 5 Repeat the same thing for the text at the bottom. Step 6 Select the rectangles and text used to create the ribbon and go again to Object>Envelope Distort>Envelop with Warp... - Use -30% for the Bend with Arc for the Style. Step 7 Here's the final result of the stencil. Step 8 Now in Photoshop, I used one of the photos I took while I was in New York. Import it to Photoshop and crop it to fit the canvas size you are working on. In my case, 2880x1800 pixels. Step 9 Add a new layer and fill it with a simple grey/green color. After that change the opacity to 60%. Step 10 Add another layer and fill it with a gradient from black to white in the center. After that change the Blend Mode to Multiply at 80%. Step 11 Copy the logo from Illustrator and paste it in Photoshop. Step 12 Go to Image>Adjustments>Invert. After that change the Blend Mode to Lighten. Step 13 Go to Layer>New Adjustment Layer>Photo Filter. Use Cooling Filter with 25% for Density. Conclusion After over one hour you can have something similar to the result I got. This was a simple exercise to try to recreate some of the awesome logos I see in most of the design sites out there. I know there's a lot to refine, but this was as I said, a simple playing time with Illustrator and Photoshop trying to learn more about this very trendy and I'd say hipster style. I hope you have fun creating your own version. Download .AI file
Last week Adobe release some new updates in the Creative Cloud apps, including Photoshop and Illustrator. The best new feature for me was the live corner effects in Illustrator. It is a simple little feature but it will make my job so much easier, especially when creating logos, icons and symbols. To give you a little overview I decided to create a new Abduzeedo wallpaper using Illustrator and Photoshop applying some offset path effects and of course the live corner. So in this tutorial I will show you how to create a simple wallpaper mixing vectors and photos. We will play with Offset Path, Live Corners and some other effects in Illustrator and Photoshop. Step 1 Create a simple path in Illustrator. I am using the Abduzeedo symbol for this tutorial. Step 2 One of the newest features in Illustrator is the Live Corners. The cool thing about this feature is that you can make round corners much easier. To do that, with the Direct Selection Tool (A), select the corner you want to edit and notice there's blue circle with a dot in the center. Step 3 Drag that circle down to start editing the corner. Step 4 Here's the Abduzeedo symbol with some better rounded corners done with live corners. Step 5 Select the path and go to Object>Path>Offset Path. Use 10px Offset and keep the default values for the rest. Make sure you check Preview so you can see the effect. Step 6 Repeat the effect again. You can increase the stroke weight to make it more visible. Tip. If you want to have rounded edges like the one on the bottom right, expand the first path. Step 7 Repeat the process a few more times. Step 8 Now in Photoshop, find a nice photo to use in the background. The one I am using is from one of the links in this really cool post at Medium: Stock photos that don’t suck https://medium.com/design-ux/62ae4bcbe01b Step 9 Copy the vector in Illustrator and paste it in Photoshop. Step 10 Select the vector and go to Image>Adjustments>Invert. After that change the blend mode to Color Dodge at 60% Step 11 Go to Layer>New Adjustment Layer>Photo Filter. Select Warming Filter(85), use 25% Density. Conclusion You can apply some brushes to make the symbol sort of old and with that distressed effect and your composition will be done. I love how simple features can make some processes much easier. The live corner effect and the offset path allowed me to create this composition and less than 30 minutes. Of course before that I spent quite a long time looking for inspiration ;)
Background Info: this illustration was an A0 billboard produced for JWT Brazil's Troller car campaign. The original brief came attached with a rough concept sketch and some loose directions for what the client wanted to see in the image. The final image was created using 3D objects, stock photos and digital painting. Most of the lighting manipulation used in this image was done with photoshop layer adjustments and painting via a tablet. All 3D objects were created with the software Cinema 4D. Due to scheduling conflicts with the Cannes festival, the deadline for this image was six days. Saad Moosajee, a young self taught freelance Illustrator and Art Director from Denver, Colorado. This work was created for the Slashthree collectives and exhibitions. For more information visit http://www.saadart.com/ Client: Troller Agency: JWT Brazil Art Direction: Thiago Arrighi, Pedro Hefs Illustration: Saad Moosajee Step 1 original background plate is selected for manipulation. The perspective of the floor in the photograph and free flowing branches makes this an ideal image based on the brief provided. Step 2 3D renders are created to be used in the forest environment. The form of the objects are derived from the branches in the photo. The image is also manipulated into various bitmap textures that are applied to the 3D objects. Step 3 The 3D objects are cut up and integrated into the branches of the photograph. The floor of the photo is also extended. Step 4 More 3D objects are integrated into the branches, integration of the animal stocks also begins in addition to color and lighting adjustments. Step 5 3D objects that flow between the car and the humans hands are created. These forms contain loose references to the anatomy of the forest and the animals used in the piece. Numerous bitmap textures are mixed in order to achieve both consistency and variation in the light and color of the objects. Step 6 Further integration of the 3D objects into the environment. Rough placement of the figure and the 3D branches around the figure. Step 7 Continuing to experiment with the lighting and the forests environment. Step 8 Forest background is darkened and desaturated to disguise 3D objects. Foreground branches are developed. Step 9 Recreating the forest atmosphere required balancing dark, mysterious tones against areas of intense illumination. A main source of light was manipulated into the background in an effort to achieve the this effect. Step 10 The light of the composition is adjusted to match the new light source. Step 11 Continuing to adjust light & color of the composition, scale of figure and figures branches is reduced. Step 12 Rough car is placed into image. Step 13 Inside of the car is created via digital painting and 3D manipulation, lighting of car is adjusted to match the composition. Step 14 Color adjustments are made on the composition to give it more warmth, second half of the car is roughly placed. Step 15 More 3D branches and animals are added to the foreground. Step 16 Placement of foreground objects is shifted to be more central. Figure is swapped out by request of the agency Art Directors to someone ethnically brazilian. Manipulation of the ground begins here by roughing in some stock textures. Step 17 Placement of figure is adjusted, overall light of the image is adjusted. Ground is further manipulated with digital painting and cloned textures. Step 18 Quantity of light coming from the back light source is significantly increased to help capture the forest atmosphere. A warm, orange/green tinted light source is used. Step 19 After debating with the art directors regarding about the new figure, a third figure cleared for potential use in the image. The form and light of this new figure felt much more natural in the images environment. Darker lighting is also added to the ground. Step 20 Lighting is once again boosted from the background, this time spreading into the foreground. The texture and perspective of the ground is adjusted to match the original perspective of the floor, and the cars are shifted to a slightly more central position. Step 21 Approval is given for the cars to be colored, which proved to be a key aspect of this illustration. The cars are digitally painted to have a color that aligns with the hue of the main light source, giving the image a more unified aesthetic. Conclusion Final lighting adjustments and sharpening. Movie
Last week we posted a tutorial showing how to create simple artwork in Illustrator and then in Photoshop we added a few effects to make it look old and with that vintage/hipster feel. Some people asked about some of the steps in Photoshop so I decided to make a simple walkthrough about how to use Photoshop to create this kind of effect. It's a simple technique but it can be very handy for this kind of artwork. So in this tutorial I will show you how to create a simple vintage look stencil in Photoshop. The whole process will take around one hour and you won't need anything special besides time and a few dirty brushes. Step 1 Create the artwork you want to apply the effect. I used Adobe Illustrator to create this simple stencil. Step 2 In Photoshop now, place the stencil. Add a new layer and fill it with black, that will be the background. With layer style, apply a white Color Overlay in the stencil. Step 3 Group the black layer with the white stencil and convert it to a smart object. Filter>Convert to Smart Filters. Apply a Gaussian Blur, go to Filter>Blur>Gaussian Blur. Use 4 pixels for the Radius. Step 4 Go to Layer>New Adjustment Layer>Levels. Change the values until you cannot see the blur effect anymore. After that make sure that the Adjustment Layer is clipped to the layer (Layer>Create Clipping Mask). Step 5 Create a new layer on top of the stencil and then with a regular dirty brush add some of the texture. Step 6 Group the stencil layer with the brush layer and then change the Blend Mode of the folder to Lighter Color. Also add an image for the background. Step 7 My image looks really bright and doesn't create enough contrast with the logo. So go to Image>Adustments>Hue and Saturation. Reduce the Saturation a little bit and also the Lightness. The values will depend on the image you will be using. Step 8 Go to Image>Adjustments>Levels. Change the Output Values and also the grey Input value to make the image much darker. Step 9 Now go to Layer>New Adjustment Layer>Photo Filter. Use the Warming Filter at 65% Density. Step 10 Convert the folder with the stencil and the brush effect to a smart filter. Go to Filter>Filter Gallery>Brush Strokes>Accented Edges. Play with the values until you have an effect that looks natural. Conclusion Reduce the opacity of the logo to 95% depending on the background. You can also use levels to make it not so bright besides that, the design is pretty much done. I believe this little step by step might help those that were having some difficults during the last tutorial. Now it's up to you, have fun and a great 2014 to you all. Download Photoshop file Click here to download the Photoshop file used for this tutorial