The rad folks from Unreal Engine just gave a sneak peek of their latest novelty with the fifth installment of their suite of tools of real-time 3D tools made by developers. On top of that, we got to have a glimpse of how these next-gen graphics will look on the next Playstation console.

Arthur Galustyan shared a simple, clean and elegant web design he worked for a Japanese Industrial Designer named Naoto Fukasawa. I love the simplicity of the design and how it gets lovely within the interactions when they are played from transitioning from pages to pages.

Web design is still alive and strong. I like to think that way but I know that its golden days might have passed. I still love seeing good site designs and also just plain beautiful ones. This project on Behance caught my attention, I think it was because the serif font. I think it might be a new trend coming, anyways, check it out. 

Sean Kane shared an elegant branding and visual identity project for Fuller, a leading independent brand communication agency, home to strategists, creatives, digital natives and craftspeople. Eight years after their last rebrand, Fuller decided a fresh look with a restrained, timeless quality was needed.

How is your situation in 'confinement'? Is the place you live in still in lockdown? I think will never go back to what we used to think as 'ordinary' or even 'normal'. We will have to get used to newer ways of living and having the right precautions if needed.

Louis Berger shared this amazing product and industrial design concept for a phone focused on content creation and sharing evolving from the most important functions of smartphones. Mosaic, as Louis calls it, rethinks the smartphone camera as an independent & modular device.

We would like to kick it off with a 'folio spotlight' by Clement Merouani, a digital art director based in Paris, France. Clement recently released his photography work from the past year and it's quite astonishing. We took the liberty to share a 'showreel' and a full sneak peek for your viewing.

Being a product designer, I sometimes miss the 'good old days' of graphic design where there were almost 'no boundaries'. Except for when you needed to send something to the print shop, those were the days. It was pure freedom, this is how I envision the folks using Cinema 4D. Pure creative freedom! Speaking of that, we are featuring this series by titled: 'Internal Reflection'.

Unsplash have shared and released their collaboration with United Nations to help spread the Covid-19 response through the platform. First of all, I think we are all currently living through a historical moment with what is happening with our lives.

Guilherme Vissotto and Victor Berriel shared a branding and visual identity project for Potency Agency. The details about the project are quite scarce, they didn’t add any description. Based on the work itself I assume it’s for a design studio/agency. The presentation is beautiful.

Times are definitely changing, we all live in a pandemic and hopefully soon a post-pandemic reality. Economically things will be difficult initially but eventually things will get better. I know this sounds super grim, but in order to help everyone to promote their work, we will start featuring designers from all over the world in a series we call Designer Spotlight.

Victor Cambet is a freelance graphic designer and an amazing photographer currently based in Montreal, QC. What initially caught my eyes on Victor's work is his perspective of how he sees things through his camera lenses. It's pure, raw, and cinematic street photography. That's one of the reasons why we decided to feature his work on ABDZ.

I grew up playing video games. My first console was the Atari 2600. The games were quite primitive, literally a few pixels on the screen moving. Remember, that was the 80s. In the 90s my brother and I got the Sega Mega-Drive (Genesis in US). It was a massive improvement in graphics. A 16bit console, whoah! There are incredible games, however the one that marked was Streets of Rage.

I think this is going to break our visual pattern but this is totally worth it. This is the work from How Wei Zhong who art directed this massive campaign for Nike Shanghai in collaboration with the folks from ILoveDust.

I think Fabio and I are on a challenge to keep the ABDZ homepage in color tones of 'pastel visuals'. It's perfect because I stumbled across the new project from It's A Living aka Ricardo Gonzalez for X-Games China & Innersect 2019 in Shanghai, China.

Hi! I’m Tobias van Schneider. I’m the co-founder of Semplice, a portfolio tool by designers for designers. We’re teaming up with Abduzeedo to share inspiring design portfolios each month.

Negro Studio  got a call from their friends at PLENTY to work with them on some proposals for NATGEO kids branding (rebranding). I cannot imagine the excitement that receiving a call like that might have been. For me National Geographic is one of those iconic brands. The yellow rectangle is so simple, yet recognized everywhere.

It’s a bit of an old project by Sean Lewis but I thought it was perfectly suited for ABDZ. During these pandemic times, we had to find ways to be more creative with our daily lives. I think we all did somehow.

I think we have mentioned it multiple times on the blog. I think we are currently living during a time that will make us appreciate little moments and make us see things differently for the rest of our lives. Things that we used to take for granted are no longer a thing and our habits have changed.

Total Design, Adam Lane and Edwin van Praet shared an incredible branding and visual identity project for Automotive MediaVentions (AMV), a new unique collaboration between DPG Media and Mediahuis, the two biggest Dutch media companies.